KPB, Medium and Dimensions Variable, Copyright 1998 by Niranjan Rajah
During the height of the financial and political crises of 1998, artist and curator Wong Hoy Cheong organized a show of protest and criticism titled “Siapa? Apa? Kenapa?”, Artis Pro Activ. I sent in a long faxed scroll piece with the above text.
Yup! Mahathir knows well how the Government and those who helm it share purse strings with PETRONAS!
A Sikh Tradition is alive in Post-traditional Canada! The Minister of Defence was born in Bombeli, a small village in the Hoshiarpur District of Punjab State. A different approach to kaum pendatang here now – I hope it lasts!
This design for a caribou skin parka made in the early 1920s by Inuit shaman Ava to protect himself spiritually has been appropriated by fashion line Kokon To Zai. Regardless of the technicalities of copyright and permissions, the question is – is it appropriate to appropriate sacred form for secular ends? And further – What is the place of tradition in the contemporary world?
Traditional tattoos are a form of sacred art. They signify animal totems, lineage and gender identity.They constitute a living record of cultural concepts. They are a rite of passage and a symbol of bravery and a form of protection. Often prayers are said during the tattooing ritual. What happens in the secular application of these powerful motifs?
With his mod Haida tattoo and all! Trudeau has West coast connections – his father Pierre Elliot was adopted by the Haida Nation – hence the significance of his tattoo. Politics aside this tattoo raises questions about art, meaning, community, tradition, appropriation and so on…
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