
The protagonist in Michangelo Antonioni’s Blow-Up starts making blowups of his photos, pushing the film to it’s grain, examining the blow-ups with a magnifying glass looking for something that may or may not be there.
The Koboi Project is a photo-performative instantiation of identity across the discontinuities of a multi-generational diasporic experience.

The protagonist in Michangelo Antonioni’s Blow-Up starts making blowups of his photos, pushing the film to it’s grain, examining the blow-ups with a magnifying glass looking for something that may or may not be there.