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I am deeply moved by what Hasnul Jamal Saidon has written about the Dari Pusat Tasek show at Percha Art Space, Lumut Waterfront. (Dec 2019 – Jan 2020) in his Kebun Jiwa Kebun Jiwa Halus blog. Our time together in Malaysian art was short but very productive. I believe, however, that beyond our notable collaboration in developing electronic art in Malaysia, we forged an understanding of art that transcended materials media and market. You could say we both had a common interest in the metaphysical and the ethical aspects of art and of life in general. In recent years, Hasnul has developed his ethical concerns in terms of notions of belas (compassion, charity, love). I want to thank Hasnul, for an intimate and penetrating review which goes to the at the heart of the Koboi Project. He has written about my work with the insight of a friend, of a fellow practitioner as well as that of an astute critic and theorist of art. Hasnul has reached beyond the complex play of signs of the Koboi Project, to suggest the presence of the very simple belas that he has been developing in his own practice. Please visit – https://hasnulsaidon.blogspot.com/2019/12/baliklah-koboi-dengan-ayahanda-bonda.html?fbclid=IwAR1Q3DCfH1wh8Z4z_LCBvZPfUujjXkRN6N2ELuylArrJAIcNpKENI6visM

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The Dari Pusat Tasek exhibition runs at Percha Artspace, Lumut Waterfront till 5 Jan 2020 (EXTENDED TILL 19 JAN 2020). The gallery presents the Koboi Balik Kampung Series as well as a record or residue of the Dari Pusat Tasek performance that took place on the 25 Dec 2019. This performance stems from the 12th series of the koboi project that carries the same name and which is based on two images. The first of these is a shot of the Koboi standing at the base of a 35 ft elections hoarding of Malaysian prime minister in waiting, Awar Ibrahim at Kampung Indian Settlement, Batu Caves. It is titled Naan Anaiyttal.

Hanging in the Percha gallery is a t-shirt bearing the second image titled Rockin Cowboy. This is the t-shirt worn by Sang Nabil Utama during the performance at the Lumut Waterfront. This is a shot of the koboi outside the Rockin Cowboy Western store on Broadway, Vancouver. This is where I got my hat, boots and shirts  for the first Koboi performance at the National Art Gallery, Kuala Lumpur in 2013. I bought one black and one white version of the Rockmount Classic Sawtooth Western  shirt. The white shirt is now in the collection of the National Art Gallery. Since then, I have acquired much of my gear for the Koboi Project at the Rockin Cowboy. In the photo with me are Dave Lawr and Danny Kresnyak from the store.

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Melayang Kueh Pauh Dilayang!

The Dari Pusat Tasek show runs at the Percha Art Space in Lumut till the 5th Jan 2020 (EXTENDED TILL 19 JAN 2020) .

In the Hikayat Jaya Langkara, a quest for the healing saffron flower leads the Princess Ratna Kasina to a mountain at the pusat tasek where the rising tide brings the miraculous flower up within her reach. While there is no mention of the Pokok Pauh Janggi in this fable, the buah Pauh appears twice in the list of similes used to extoll the beauty of Princess. Princess Ratna Kasina is said to have cheeks like sliced mango (pipi-nya saperti pauh di-layang), and heels like turned (or peeled) mango (tumit-nya saperti pauh di-larek).

For the opening reception of the show at Percha Art Space, Percha Director, Suhaila Hashim, steamed her first Kueh Pauh Dilayang after experimenting with recipes found online. The cake was sliced (dilayang) and served to locate the mango within Malay mythology and aesthetics, and to articulate the core symbolism of the Dari Pusat Tasek happening which includes –

  1. a performance based the mythic realities of the ‘navel of the seas’ or the Pusat Tasik Pauh Janggi.
  2. a gallery installation featuring the Koboi Balik Kampung series of 12 photographic prints and presents an autobiographical take on the complexities of contemporary Malaysian art and society.
  3. and the serving of this rare Kelantan sweet – the Kueh Pauh Dilayang.

Kaza Nunteng Porta

After my Dari Pusat Tasek performance in Lumut, Perak, I went to meet Sara Frederica Santa Maria in the Kampung Portuguese Settlement, Melaka. We are planning to work together as a part of my Kaza Nunteng Porta performance series which links the Settlement with Lisbon, Portugal. We are planning to create an engagement on the street and perhaps on stage in Lisbon, bringin the Kristang language, music, dance and food home to Belem, the harbour district from which the Portuguese mariners set sail on their adventures of discovery and conquest.

‘Kaza Nunteng Porta’ is Kristang (Melaka Portuguese) for ‘House Without a Door’. It is the title of the 9th series of Koboi Project which addresses notions imperialism, globalization, migration, miscegenation and tourism as a part of the wider Koboi Narrative. The project is ongoing and thus far impromptu photo-performances have been held at the Alfonso De Albuquerque Monument and the Discoveries Monument in Belem, in 2018 and 2019.

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The Dari Pusat Tasek performance (View my draft for the 13th Koboi series ) was held at the Lumut Waterfront, under the auspices of Percha Art Space at 5pm on the 25th December 2019. The exhibition will run till 5 Jan 2020 (EXTENDED TILL 19 JAN 2020) . The Naan Anaiyttal flag presents an image that was shot in Kampung Indian Settlement, Batu Caves, in the wake of Malaysia’s 14th General Elections. The Koboi stands before a 12.2 m hoarding of the once jailed politician who is now Malaysia’s prime minister in waiting, Anwar Ibrahim. This flag was raised on a portable flag stand, accompanied by a performance based on a Perak Malay cleansing ritual performed with cut lime.

After my body was ritually rubbed with lime, I faced the East and spit seven times. I then threw the remains of the limes in the Westerly direction  saying, Pergi-lah semua sial jambalang dari badan aku, dan dari pada tubuh negara; pergi lah ke Pusat Pasek Paujangi, (‘Misfortune and spirits of evil begone from my body, and from the corpus of the nation, begone to the whirlpool of the of the Pusat Pasek Paujangi!) Water was then poured over me to complete the cleansing. All the waters of the world are ultimately received at the Pusat Tasek, bringing to its swirl all of the flotsam, jetsam and refuse of the world. The Pusat Tasek of myth seems to coincide with the contemporary swirl of the North Pacific Gyre – a place at which the worst of our contemporary sial jambalang reside.

http://www.gutenberg.org/files/47873/47873-h/47873-h.htm

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Pergi-lah samua sial jambalang deripada badan aku ka pusat tasek Paujangi!”

Dari Pusat Tasek opens with a performance on the Lumut Waterfront at 5pm and a reception at 8.30pm at PERCHA ART SPACE, LUMUT PERAK on 25 December 2019. The show will run for 2 weeks (EXTENDED TILL 19 JAN 2020) .

W. E. Maxwell, who served in the British Straits Settlements as Commissioner of Land Titles, Member of the Executive and Legislative Councils and Colonial Secretary Acting Governor and as Resident of Selangor, was a pioneering contributor to the academic discipline that we have come to call Malay Studies. He was a regular contributor to the Royal Journal of Asiatic Studies. I turn to his ethnographic writing, via William Skeat’s Malay Magic, retrieve an archaic Malay cleansing ritual whose practice is likely to have ceased today.

In this bathing ceremony, as practised by the Perak Malays, “Limes … are cut in two and squeezed (ramas) in the hand. … When the body is deemed sufficiently cleansed the performer, taking his stand facing the East, spits seven times, and then counts up seven aloud. After the word tujoh (seven) he throws away the remains of the limes … to the West, saying aloud, Pergi-lah samua sial jambalang deripada badan aku ka pusat tasek Paujangi, ‘Misfortune and spirits of evil begone from my body to the whirlpool of the lake Paujangi!’ Then he throws (jurus) a few buckets of water over himself, and the operation is complete.”

The Pusat Tasek Paujangi, is of course, the place at which all the waters of the world are ultimately received. These waters bring, to the swirl of the Pusat Tasek, all of the flotsam, jetsam and refuse of the world.

The Pusat Tasek of myth seems to coincide with the contemporary swirl of the North Pacific Gyre – a place at which the worst of our contemporary sial jambalang reside and to which other maleficence  might be dismissed an a contemporary purification!

Koboi Balik Kampung 3

12 KEMBARA LAGI, Koboi Balik Kampung Series, 12 Chromogenic Printed in a Limited Edition of 9, Niranjan Rajah, 2015

Preparing for my Dari Pusat Tasek show at at Percha Art Space, Lumut Waterfront. The show will run over the Christmas and New Year period. It will open on 25th Dec. The gallery installation will feature the Koboi Balik Kampung series which consists of 12 photographic prints and presents a an autobiographical take on the complexities of contemporary Malaysian art and society. The titles are 1 Balik Kampung, 2 Kampung Halaman, 3 Bersama Abang, 4 Restu Ibu, 5 Bahang Panas, 6 Hujan Gerimis, 7 Warga Malaysia, 8 Tarik Harga, 9 Kuncu Kuncu, 10 Taubat Keling, 11 Cukur Janggut, 12 Kembara Lagi. Koboi Balik Kampung explores the notion of returning home from the diaspora, but also interrogates this idea in terms of the complex relationship between nationality and ethnicity. The images were gleaned from my activities in Kuala Lumpur and its surroundings. The titles delve deep into the Malay idioms and expressions.

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Thanks to all at Kapallorek & Percha Art Space for hosting my installation and performnce titled Dari Pusat Tasek. The show opens with a performance on the Lumut Waterfront at 5pm and a reception at 8.30pm at PERCHA ART SPACE, LUMUT PERAK on 25 December 2019. The show will run for 2 weeks (EXTENDED TILL 19 JAN 2020).

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Wayang Kulit puppets – Pokok Pauh Janggi and Ketam Gergasi

The Dari Pusat Tasek exhibition and performance will open at the Percha Art Space in Lumut on 25th Dec 2019. This performance for this event arises from the mythic realities of the ‘navel of the seas’ or the Pusat Tasik Pauh Janggi. Far out in in the deep ocean somewhere in the proximity of the island of Borneo, or even in the mouth of the Perak river, depending on which account one follows, there is said to be a momentus whirlpool that swirls down to the depths, draining the waters into the earth. Also at this nexus, rooted on the ocean floor, is the fabulous Pokok Pauh Janggi that reaches up to the heavens. At the base of this tree, at the bottom of the ‘pusat tasek’, there is said to sit a giant crab, blocking the opening of the drain of the waters. It is the daily movements of this crab, that cause the oceans to rise and fall cyclically, giving us both the currents and the tides.  The oceanic currents are sometimes personified as a regular visitor, the Mambang Tali Harus, a type of spirit who is said to go back and forth from the navel of the seas (bĕrulang ka pusat tasek). Rooted at this centre of tidal activity, this Pusat Tasik, is the fabulous Pokok Pauh Janggi that reaches up to the heavens.

In the Selangor Malay tale of Haji Batu, a man, journeying to perform the Haj, had to cross the fearsome Navel of the Seas, known to be a dangerous and fiendish place (Siapa terjatuh atau tergelincir, tersuruplah ia ke dalam pusar. Tempat menanti segala mara bahaya. Tempat duduk menantinya Nenek Sepit Pentala Naga di Laut Buih Gelombang Tujuh. Kalau si lemah yang sampai, maka hilang ghaiblah ia di mulut Raja Naga yang maha bisa). As Haji Batu’s ship went down, he clung to the Pokok Pauh Janggi, and following instructions he had received in a dream, drew himself up on 7 nails that he drove into the tree. When he reached the top, he found the nest of the mythical Burong Roc (Garuda) that lived there.  He waited therein and when the Roc returned, he attached himself to the bird and flew Westward on his Journey to Mecca. 

http://www.gutenberg.org/files/47873/47873-h/47873-h.htm

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1. Dunia; 2. Pusat Tasik Pauh Janggi; 3. Padang Jauh dan Puncak Gunung; 4. Pulau Buah; 5. Kayangan; 6. Dasar Laut.  Diagram by Md. Salleh Yaspar in Malaysian world-view by Taib Osman

The Koboi Project exhibition and performance titled Dari Pusat Tasek will open at the Percha Art Space in Lumut on 25th Dec 2019. There will be an impromptu street performance, carried out as part of this exhibition, based on the malay myth of the ‘navel of the seas’ or the pusat tasik pauh janggi. The combined downward spiral of the Pusat Tasek and the upward thrust of the enormous Pokok Pauh Janggi combine to create an axis of the world, one that analogous with the Tiang Seri of the traditional Malay House. In the Malay Ontology or cosmos – 1. Dunia is inhabited by Man, animals, plants, objects, spirits; 2. Pusat Tasik Pauh Janggi is inhabited by Nagas, Jins, Garudas; 3. Padang Jauh dan Puncak Gunung is inhabited by Giants, jins; 4. Pulau Buah is inhabited by Ancestral spirits; 5. Kayangan is inhabited by Dewa, Perman; 6. Dasar Laut is inhabited by Raja Lebis. 

The Pusat Tasik Pauh Janggi appears to exemplify more general Southeast Asian structural and relational principles in which – 1. The Navel of the Seas drains the waters of the world; 2. A submarine tree or world pillar at the navel links the human realm to both the underworld and the skyworld; 3. There are mythic creatures dwelling at the navel of the seas at the base of the tree or pillar; 4. The ebb and flow of tides are due to the movements of the creature blocking the drain at the navel; 5; The ocean currents are due to water flowing in and out of the drain at the navel; 6. Earthquakes are caused by creature at navel of the sea shaking the world pillar; 7. There are relationship between these flows to the movement of the Sun and Moon and events like eclipses; 8. Rising sea levels and flooding are associated with the navel of the sea.

http://sambali.blogspot.com/2008/04/kuroshio-current-and-navel-of-sea.html