Tag: Alami Belas

Post Traditional Praxis 2

~ The Koboi Project

rememberingThe dialog session titled Tradition as a Measure of the Contemporary: Towards a Post Traditional Praxis in Malaysian Art, takes place on 17th March 2018 from 2 pm to 4.30 pm at the Piyadasa Gallery/ Cultural Centre, Universiti Malaya.  Presenting the lifework of work of Dr. Durai Raja Singam, the session will go on to explore the place of tradition in contemporary Malaysian art and life. To what extent do contemporary art and theory engage with the forms and values of tradition. Are traditional forms meaningfully conceived in isolation from the theories of modernism and postmodernism. Given our national culture and life, wherein diverse religious paradigms coexist, we need approaches that art that unpack and explore the deeper meanings of tradition and as a contemporary or a post-traditional practice. This dialogue is a part of my installation at the Piyadasa Gallery titled The Gift of Knowledge  Installation Commemorating the Person and Work of Durai Raja Singam (1904-1995) which is a part of  ALAMI BELAS – KL BIENNALE 2017, Bali Seni Visual Negara.

Image: https://artklitique.blogspot.ca/2017/12/kl-biennale-ii-gift-of-knowledge.html

 

 

 

 

Durai Raja Singam

~ The Koboi Project

fb_img_15109859470251353543407.jpgMy installation for the KL Biennale 2017 at the Piyadasa Gallery, Universiti Malaya is titled The Gift of Knowledge. It commemorates the scholarly work of Durai Raja Singam which centered on disseminating the writings of esteemed art historian and metaphysician Ananda Kentish Coomaraswamy. This installation is also a way to mark my personal debt to Durai Raja Singam who was my periappa, my uncle. His generous yet insistant presentation of Coomarswamy and his ideas played a significant role in shaping my own worldview and my sense of the place of art in the order of things.

This installation presents select items of his furniture, personal effects, print layout/artwork, photographs, and most significantly, his publications. It is accompanied by a candid and clarifying video conversation with  his son, my cousin Jawaharal Jai Singam, that sets Durai Raja Singam’s legacy within familial, communal, national and international narratives. This installation presents Durai Raja Singam holistically, as a man with a mission within a very specific social, historical and sclolarly milieu – that of Asia in a time of transition from a colonianlist paradigm to a nationalist one. Through his life and works we can glimple the the complex emergence and interplay of modern Jaffna Tamil, Indian, Malaysian and Asian identies in the post-colonial era.  As Simon Soon of Universiti Malaya notes, Durai Raja Singam is an important figure in many different contexts – cultural history, diasporic imagination, 20th century transnational networks, Malaysian cosmopolitsnism, post-colonial forms of knowledge, the reconciliation between modernity and spirituality as well as non-mainstream approaches history.

My installation sits liminally at the boundary of art work, curatorship, family memorial and scholarship. It is the recognition of the passion of a man, his sense of duty and his belief that knowledge was a common property that belonged to all. Above all, and in keeping with the belas theme of the KL Biennal, it is the celebration of the charity and compassion of a man and of his ‘gift of knowledge’.

Image: https://m.facebook.com/story.php?story_fbid=2423733217850959&id=2082567601967524  

The Gift of Knowledge

~ The Koboi Project

IMG-20171108-WA0014

Here is an in-progress shot taken of my installation at the Piyadasa Gallery, Universiti Malaya before the show opened on 1st November 2017.  The Gift of Knowledge is an Installation commemorating the life’s work of Durai Raja Singam (1904-1995).It is an installation of furniture, personal items, print layout/artwork, photographs and publications from the collection of Jawaharlal Jai Singam. The installation is accompanied by  a video contextualizing the exhibit. The late Dr. Durai Raja Singam was a Malaysian scholar, historian, biographer and bibliographer of high international regard who collated, wrote, designed and published books on various topics. At the centre of this large body of work was his pioneering contribution to Ananda Coomaraswamy scholarship. Durai Raja Singam was Coomaraswamy’s most dedicated biographer and his earliest comprehensive bibliographer.

Alami Belas KL Biennale

~ The Koboi Project

I am proud to announce my participation in Alami Belas the inaugural KL Biennale 2017. My work is titled The Gift of Knowledge: An Installation Commemorating the Person and Work of Durai Raja Singam (1904-1995).  This installation will be on view at the Piyadasa Gallery, Universiti Malaya from 1 Nov 2017 – 31 March 2018.

The life and work Durai Raja Singam is the epitome of belas (charity/compassion) in the context of Malaysian scholarly work. Operating outside the realm of academia, he did his work with neither acclaim nor financial reward in mind. He funded his publications himself with no notion of profit. He collated, wrote, designed and published books on various topics, particularly on the life and work of Ananda Coomaraswamy. He pursued this work as if it were his karma (sacred duty) to disseminate this knowledge for posterity. The late Durai Raja Singam was my uncle and, in this installation, I present his place in Malaysian cultural discourse through the dual perspective of a familial recipient of his legacy and a Malaysian artist theorist and curator who has contributed to the study of Southeast Asian art. The exhibit takes the form of an installation of select items of his furniture, personal effects, print layout/artwork, photographs and publications. His books are presented in an accessible manner so that visitors are able to read them. There is also a video interview with his son Jawaharlal Jai Singam. This installation celebrates Durai Raja Singam as Malaysian scholar, historian, biographer and bibliographer of high international regard who operated with humility outside of the privileged precincts of the ivory tower.