‘Kaza Nunteng Porta’ is Kristang (Melaka Portugese) for ‘House Without a Door’. It is the title of the latest Koboi Project series shot in Belem, Lisboa. This series addresses notions imperialism, globalization, migration, miscegenation and tourism in the course of my expansive Koboi Narrative. In impromptu photo-performances that took place at the Alfonso De Albuquerque Monument and the Discoveries Monument in Belem, Lisbon on 7th and 8th July 2018 respectively, I recast two important Portuguese memorials to discovery and ascendancy in an allegory of diasporic identity. In the course of each performance I raised my Pazaham Neeyappa banner with its image of Tamil movie SUPERSTAR Rajinikanth and played audio clips on a megaphone. The audio included Fausto’s A Guerra é a Guerra and Soundararajan & Janaki’s Ulagam Ulagam and a rendition of Jingkli Nona on the cello by Tara Rajah. I also played verses from the Malay pantun (poem) Kalau Roboh Kota Melaka and the lyrics of Ulagam Ulagam spoken in Portuguese by Hugo Moss. At the heart of each street intervention was the convivial engagement with the passers-by. Cards presenting the state flag of Melaka were handed out.
Tag: Kota Melaka
The Papan Jawa photo-event took place on the 7th July at the Alfonso De Albuquerque Square and in Belem, Lisbon. In this impromptu performance In this performance I am attempt to find an image, provisionally titled Papan Jawa, that will recast the monumental representation of the ‘Fall of Malacca’ on the base of the Alfonso De Albuquerque monument within my own contemporary allegory of identity. For more images of the performance please visit https://koboibalikkampung.wixsite.com/nuntengporta
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