Dari Pusat Tasek 30

In the Dari Pusat Tasek performance, I was assisted by Sang Nabil Utama who is musician, sound engineer, sonologist and a committed Malay culture activist. We were introduced by Azizan Paiman the afternoon before the event at which time we first discussed the underlying ideas and possible controversies of the performance. We refined and rehearsed the performance that night, and went on to execute the event the next afternoon (25 Dec 2019).

This intervention in the public space of the Lumut Waterfront, which was based on a Perak Malay cleansing ritual, was grounded and given poignancy by the fact that Sang Nabil Utama is a native orang Perak. It was also great working with Nabil as he showed great sensitivity to my approach and generously offered his own ideas about Malay ritual form in a way that brought the best out of the performance.

Dari Pusat Tasek 12

In connection with my show at Percha Artspace titled Dari Pusat Tasek, which runs till 5 Jan 2020, I ask the obvious question – where is the Pusat Tasek Pauh Janggi (Navel of the Seas)? The performance carried out on the Lumut Waterfront was based on a Perak Malay cleansing ritual that purports to wash all the sial jambalang (ill luck and malevolent spirits) away to the Navel of the Seas.. Many sources on the location of the Pusat Tasek place it somewhere in the South China Sea or Southwest thereof. According to Antonio Pigafetta, a mariner on Ferdinand Magellan’s pioneering voyage of ‘discovery’ (1518-1522), there were local tales of an island surrounded by whirlpools, somewhere north or south of Java Major (Borneo), called Puzathaer  (Pusat air?) .​ The location of this Pusat Tasek varies, however, with the source of the myth. According to a Perak legend associated with the installation of its first Sultan, Mudzaffar Shah I, the Pusat Tasek is located somewhere off the mouth of the Perak river, beyond the extensive sandbanks there. This area, named Beting Beras Basah or Beras Basah Sandbank, is known as a deeply magical place – one filled with all manner of makhluk ghaib (supernatural beings).

http://sambali.blogspot.com/2008/04/kuroshio-current-and-navel-of-sea.html

http://catatanberkat.blogspot.com/2015/05/rahsia-beting-bersah.html

Dari Pusat Tasek 8

The Dari Pusat Tasek exhibition runs at Percha Artspace, Lumut Waterfront till 5 Jan 2020 (EXTENDED TILL 19 JAN 2020). The gallery presents the Koboi Balik Kampung Series as well as a record or residue of the Dari Pusat Tasek performance that took place on the 25 Dec 2019. This performance stems from the 12th series of the koboi project that carries the same name and which is based on two images. The first of these is a shot of the Koboi standing at the base of a 35 ft elections hoarding of Malaysian prime minister in waiting, Awar Ibrahim at Kampung Indian Settlement, Batu Caves. It is titled Naan Anaiyttal.

Hanging in the Percha gallery is a t-shirt bearing the second image titled Rockin Cowboy. This is the t-shirt worn by Sang Nabil Utama during the performance at the Lumut Waterfront. This is a shot of the koboi outside the Rockin Cowboy Western store on Broadway, Vancouver. This is where I got my hat, boots and shirts  for the first Koboi performance at the National Art Gallery, Kuala Lumpur in 2013. I bought one black and one white version of the Rockmount Classic Sawtooth Western  shirt. The white shirt is now in the collection of the National Art Gallery. Since then, I have acquired much of my gear for the Koboi Project at the Rockin Cowboy. In the photo with me are Dave Lawr and Danny Kresnyak from the store.

Koboi Balik Kampung 2

1 MUDIK PULANG Koboi Balik Kampung Series, 12 Chromogenic Printed in a Limited Edition of 9, Niranjan Rajah, 2015

​I will be presenting my Koboi Balik Kampung series of the Koboi Project at Percha Art Space in Lumut over the Christmas and New Year period. The show, titled Dari Pusat Tasek, will open on 25th Dec and run for 2 weeks. Koboi Balik Kampung presents a very personal perspective on the complexities of contemporary Malaysian art and society. It explores the notion of returning home from the diaspora, but also interrogates this idea in terms of the complex relationship between nationality and ethnicity. It was conceived in the course of my visit to Malaysia for Aliran Semasa {RearView Forward}, a series of events curated by Roopesh Sitharan in June and July, 2013. The images were gleaned from my activities in Kuala Lumpur and its surroundings. The titles delve deep into the Malay idioms and expressions. The series was mainly shot by my daughter Durga Rajah who was my constant companion on this trip.