October 7 Casualty Count Interrogated

Max Blumenthal makes the explosive proposition that the Israeli military shelled the homes of Israeli civilians and made helicopter attacks on civilian cars and Israeli bases as they fought to dislodge Hamas militants from the country’s south on October 7. Based on 1st person accounts and other Israeli sources, he argues that the substantiated death count is only about 900 and not around 1400 as Israel claims. Most significantly, he suggests that an undertermined proportion of these deaths might have been self-inflicted, resulting from Israeli military protocols that are aimed at meeting Palestinian incursions with devastating force and also at minimizing hostage negotiation situations. He concluded, “Indeed, it appears that on October 7, Israel’s military resorted to the same tactics it has employed against civilians in Gaza, driving up the death toll of its own citizens with the indiscriminate use of heavy weapons.”

https://newsparadigm.substack.com/p/max-blumenthal-october-7-testimonies

Forms of Government 4

4. Infocracy: A form of government based on the control of information. We have moved from the age of state controlled media to an era of oligarchic media cross interests. We have also moved from broadcast media to social media -Facebook, Google, Amazon, cyber troopers, bot farms ……

Ukraine: Sergy Lavrov’s View

Geetha Mohan of India Today conducts an incisive interview with Russian foreign minister Sergey Lavrov about the situation in Ukraine. He explains the Russian perspective that the war is rooted in the US and West’s efforts to create a springboard against them by pumping arms into Ukraine. Regardless of one’s position on the war, it is refreshing to see the art and craft of the journalism alive and well in India. The interview is presented unedited and in its entirety. Geetha is persistent yet graceful in her pursuit of answers.

Ukraine: Tatlin’s Constructivist Tower

Soviet Constructivism was on the avant-garde of the Bolshevik Revolution that burst upon Russia in 1917. At the heart of this movement, was the question of the imbrication of art as a part of proletariat life. Constructivism eschewed the elitist concerns of the academy and the museum, in order to embrace the technologies and the process of the Industry.

In 1920 Vladimir Tatlin presented the exemplary Constructivist work, A Monument to the Third International, or, as it is best known today, Tatlin’s Tower. This hybrid of art, architecture and communication design, was meant to be used as a propaganda platform that would drive the spread of the Communist revolution across the world. Although it was never built, this design had a profound impact on the revolutionary art of the Soviet Union and on the international modern art that followed.

Although Vladimir Tatlin was born in Moscow, he grew up in Kharkiv. He studied art at the Kharkov Arts School and then become a merchant sea cadet at Odessa.  Having established himself as a leader of the Moscow avant-garde, Tatlin moved to Kyiv in 1925, to become chair of the theater, film, and photography department of the Kyiv State Art Institute. During this time he established connections with Mykhailo Semenko and the Nova Generatsiia futurist group in Kharkiv.

Image: https://humphries346.wordpress.com/2015/02/16/soviet-constructivism/

https://en.wikipedia.org/wiki/Vladimir_Tatlin

http://www.encyclopediaofukraine.com/display.asp?linkpath=pages%5CT%5CA%5CTatlinVladimir.htm

Ukraine: Show me the Money!

Eric Draitser presents an alternative analysis of the situation in Ukraine, that gives the lie to both Russian and NATO narratives. He reveals a polity dominated by amoral oligarchs who, regardless of their purported ideological leanings and ethnolinguistic allegiances, are in it for money and power. Whether the picture is accurate or not, it reads like an X-ray, and reveals how government (and politics) masks the true workings of power. Draitse, who is an independent political analyst and host of CounterPunch Radio, offers a nose to the ground perspective that complements John Mearsheimer‘s realist big-power geopoliotical overview.

https://www.counterpunch.org/category/counterpunch-radio-podcasts/

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Ukraine: The Realist View (15th Feb 2021)

This interview with John Mearsheimer was recorded on Tuesday 15th February at Kings College, Cambridge University, online forum, just before Russia invaded Ukraine on the 24th of February. Mearsheimer is a renowned American political scientist and international relations scholar, of the realist school of thought. He presents a view that contradicts what we have been presented with by the mainstream, with regard to the underlying causes of the crisis (presented by Mearsheimer in a lecture from 2015), and goes on to define just what has he believes has precipitated the crisis that has so tragically and rapidly unfolded.

His central argument is that since the advent of the Trump administration, the USA and its allies have accelerated the arming and training of the Ukraine military, with a view to turning Ukraine into a de facto NATO. state. He stresses that, from his realist perspective, this must be unequivocally unacceptable to Russia. Further, he points to recent provocations to Russia carried out by way of territorial incursions made by the British and the Americans. Mearsheimer concludes this talk by saying that the crisis would go on for a long time. It seems that even though he is clear that the Russians had reached their ‘boiling point’, does not anticipate an imminent Russian invasion. In the course of answering the last question, which was about the deterrent effect of nuclear weapons in this crisis, he even says, “I don’t think they are going to invade.”

Malaca Malaca!

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Please visit Koboi Project series  – Kaza Nunteng Porta. https://koboibalikkampung.wixsite.com/nuntengporta

This painting is a part of a set by Andre Reinoso (and his collaborators) which is displayed in the sacristy of the Church of Sao Roque in Lisbon. It portrays the historical  event (in the Portuguese record) of the invasion of Malacca by Achenese pirates in 1547. Saint Francis Xavier, who was there at the time, is shown praying for Portuguese troops to repulse the invasion. The scene involves a multitude of Achenese fighters (pirates or otherwise!) holding their flags and trying to attack the Portuguese citadel! It is noted in the descriptive panel for this set of paintings that it was commissioned according to a clear iconographic programme designed by the Jesuits of Portugal in order to promote the canonization of the Saint. The paintings were installed in 1619 and and st Francis Xavier was canonized in 1622. This image is titled. ‘St. Francis Xavier tries to halt the invasion of Achenese pirates in Malacca.’ It is the Malacca Malacca evoked by Fausto (after Fernao Mendes Pinto) in his song A Guerra e a Guerra

https://artsandculture.google.com/exhibit/ngKi5lZD3NU2Kg