Tag: Wayang Kulit

The Koboi Returns 2023 -15

~ The Koboi Project

The Pohon Beringin represents the three levels to the Malay cosmos, with fishes, serpents, or crocodiles at the bottom level representing the lower Waterworld; land animals like monkeys or elephants in the middle level representing the earth; birds at the top level representing the Skyworld. This tripartite division maps on to 5. Kayangan (Skyworld), 1 Dunia (earth) and 6 Dasar Laut (Waterworld) of the more complex Malay Cosmology as laid out by Md. Salleh Yaspar. In this syncretic premodern Malay Cosmology that integrates all previous ontologies with that of Islam, 5. Kayangan is consonant with Syurga and 6 Dasar Laut with Neraka, above and below the 1 Dunia, respectively.

This structure arguably underpins the story of Haji Batu whose ship went down while crossing the fearsome Pusat Tasek, as he was journeying to perform the Haj, Haji Batu clung to the Pokok Pauh Janggi and drew himself up on 7 nails that he drove into the tree. When he reached the top, he attached himself to the Burong Roc (Garuda) and flew Westward on his Journey to Mecca. (see Walter William Skeat’s Malay Magic). The climbing up the 7 nails can be seen as being an analogy for rising from the seven realms of Hell (the 7 nails could equally represent the seven levels of Heaven of course, or both (seven is a number of multilayered cosmological and soteriological significance) and the flight of the Burong Roc, for an ascent into the Skyworld.

In fact, in the sufi understanding of being, which is based on the Quranic Jihad al-nafs (battle agains the self), there are seven nafs or states of desire through which the adept must rise. The lowest state is Nafsi Ammara, a manifestation of the animal soul in man.  In Nafsi Lawwama man hears the voice of his conscience and tries to resist carnal desires. Nafsi Mulhima is when man receives direct instructions from his Lord. In Nafsi Mutmainna, man is freed of self-indulgence and finds peace and tranquility in a state of piety and obedience to the Lord. Nafsi Radiyya is when man accepts all that happens without any resentment or pain, and when good and bad become equal to him. In Nafsi Mardiyya man assumes the Divine Attributes, leaving behind the material realm, and finally, in Nafsi Safiyya, man reaches the purity of perfect harmony.

https://ejournal.um.edu.my/index.php/MJPVA/article/view/13970/9368

https://books.google.com.my/books?id=-AR-V3ymAzoC&pg=PA274&lpg=PA274&dq=mohd+taib+osman+pusat+tasik&source=bl&ots=Ck_2ts5cvN&sig=ACfU3U189ige7-t0nqKA3yKcLDIurDnuoQ&hl=en&sa=X&ved=2ahUKEwi688zh_sDmAhVT8XMBHaXlC1QQ6AEwAXoECAwQAQ#v=onepage&q=mohd%20taib%20osman%20pusat%20tasik&f=false
http://www.gutenberg.org/files/47873/47873-h/47873-h.htm

https://sufipathoflove.com/seven-levels-of-being/

The Koboi Returns 2023 – 14

~ The Koboi Project

This diagram can be seen as a representation of the metaphysics and the physics of the traditional Malay cosmos. The Pokok Pauh Janggi is the axis mundi of the 1 Dunia (world) connecting the depths of the 6 Dasar Laut (Underworld) to the heights if the 5. Kayangan (Skyworld). Its location at the 2 Pusat Tasik Pauh Janggi puts it directly above the ‘Underworld’. In the tale of Haji Batu, the drew 7 nails that the Haji drove into the tree to make his way up might be a reference to the 7 levels of Hell as understood in Islam. His passage to from the top of the Pokok Pauh Janggi to Mecca by clinging to the mythical Burong Roc (Garuda) might equally signify his ascent towards the Heavens.

If the Pokok Pauh Janggi anchors the metaphysical model of the Malay cosmos, the physics of this world is represented by Giant crab that lives at its base. This crab blocks the opening of the drain of the waters at the bottom of the Pusat Tasek (whirlpool or navel of the seas) and it is the daily movements of this crab, that cause the oceans to rise and fall cyclically, giving us both the currents and the tides.  (see Walter William Skeat’s Malay Magic).

The above diagram combines the outlines of two Kelantan Wayang Kulit puppets (Pokok Pauh Janggi and giant crab) collected by Walter William Skeat in the late 19th Century, with an adaptation of a diagram of the Malay Cosmos by Md. Salleh Yaspar in Malaysian World View edited by Mohd Taib Osman.


https://www.gutenberg.org/files/47873/47873-h/47873-h.htm

https://books.google.com.my/books?id=-AR-V3ymAzoC&pg=PA274&lpg=PA274&dq=mohd+taib+osman+pusat+tasik&source=bl&ots=Ck_2ts5cvN&sig=ACfU3U189ige7-t0nqKA3yKcLDIurDnuoQ&hl=en&sa=X&ved=2ahUKEwi688zh_sDmAhVT8XMBHaXlC1QQ6AEwAXoECAwQAQ#v=onepage&q=mohd%20taib%20osman%20pusat%20tasik&f=false


The Koboi Returns 2023 -13

~ The Koboi Project

According to Malay folklore, far out in in the deep ocean somewhere, there is said to be a momentus whirlpool, known as Pusat Tasik, that swirls down to the depths, draining the waters into the earth. Rooted to the ocean floor at this nexus, is the fabulous Pokok Pauh Janggi that reaches up to the heavens. In the Selangor Malay tale of Haji Batu, a man, journeying to perform the Haj, had to cross the fearsome Pusat Tasek (Siapa terjatuh atau tergelincir, tersuruplah ia ke dalam pusar. Tempat menanti segala mara bahaya. Tempat duduk menantinya Nenek Sepit Pentala Naga di Laut Buih Gelombang Tujuh. Kalau si lemah yang sampai, maka hilang ghaiblah ia di mulut Raja Naga yang maha bisa). As Haji Batu’s ship went down, he clung to the Pokok Pauh Janggi in the middle of the swirl of the Pusat Tasek, and following instructions he had received in a dream, drew himself up on 7 nails that he drove into the tree. When he reached the top, he found the nest of the mythical gigantic Burong Roc (Garuda) that lived there.  He waited therein and when the Roc returned, he attached himself to the bird and flew Westward on his Journey to Mecca. (see Walter William Skeat’s Malay Magic). The above diagram presents the outline of a Pokok Pauh Janggi Wayang Kulit puppet collected by Walter William Skeat from a Tok Dalang from Kelantan in the late 19th Century. Could the figure in the tree possibly be this Haji Batu about to be attach himself to the Burong Roc, or could it be the great bird itself (note the aquline features of the figure’s head)? Perhaps it is a composite figure combining the two entities?

http://www.gutenberg.org/files/47873/47873-h/47873-h.htm

The Koboi Returns 2023 – 12

~ The Koboi Project

The Pohon Beringin puppet of Kelantan Wayang Kulit is closely related to the Gunungan puppet from the Javanese Wayang, which as Fiona Wong E Chiong and Ghulam-Sarwar Yousof explain, is used by the Dalang to bring a whole cosmos of gods, demons, humans and other creatures to life for the time of the performance. While this magical function is understated in the Kelantan tradition, the Pohon Beringin puppet is used to mark the opening and closing of the performance. The Pohon Beringin is a microcosm of the universe, with a central tree motif surrounded by flora and fauna, sky, water, flame, and mountain motifs. There are three levels to this cosmos, with fishes, serpents, or crocodiles at the bottom level representing the lower Waterworld; land animals like monkeys or elephants in the middle level representing the earth; birds at the top level representing the Skyworld. The Pohon Beringian is associated with the universal Tree of Life motif, which, in Islam, is called the Tree of Immortality or šajaratu l-ḫuld . If in Christianity, there are 2 trees in the garden of Eden – the tree of the knowledge of good and evil the fruit of which God forbade to Adam and Eve , in Islam, there is only one tree, the šajaratu l-ḫuldat located at the centre of the Garden of Eden.

.Image: Pohon Beringin puppet/Persian Sarouk Farahan Tree of Life Rug, Late 19th Century 

https://ejournal.um.edu.my/index.php/MJPVA/article/view/13970/9368

http://catholic.cafe/2020/02/04/what-is-the-tree-of-life-and-why-was-it-guarded-by-the-cherubim/

https://nazmiyalantiquerugs.com/antique-persian-fine-sarouk-farahan-tree-of-life-rug-48624/

The Koboi Returns 2023 – 4

~ The Koboi Project

According to Malay folklore, in the far depths of the ocean, there is a great whirlpool known as the ‘Pusat Tasek’ or the ‘navel of the seas’. At the centre of this whirlpool, there is an enormous tree known as the Pokok Pauh Janggi. This place, identified in Malay Cosmology as the Pusat Tasik Pauh Janggi, is inhabited by Nagas, Jins, Garudas and other such creatures. One of these creatures sits on the ocean floor, at the base of the tree blocking a gigantic opening at the root of the tree. This opening leads further down to the nether world of the Dasar Laut inhabited by Raja Lebis. Further, according to Anker Rentse, it is from the Dasar Laut, that the swirl of the Pusat Tasek rises in the course of ocean water draining down the opening. In some versions of this cosmology, a dragon guards this hole and its body also blocks the hole, preventing the ocean from running dry. In other accounts it is not a dragon but a giant crab that holds the waters up. It is the daily movements of this crab, unblocking and reblocking the hole, that cause the movement of the waters that we humans experience as currents and tides. The above Kelantan Wayang Kulit puppets of the Pokok Pauh Janggi and the giant crab were collected by Walter William Skeat from a Tok Dalang in the late 19th Century. They index the likelyhood that the Wayang repertoire was once replete with representations of indegenous Nusantara myths and ideas that have since been abandoned.

https://books.google.com.my/books?id=-AR-V3ymAzoC&pg=PA274&lpg=PA274&dq=mohd+taib+osman+pusat+tasik&source=bl&ots=Ck_2ts5cvN&sig=ACfU3U189ige7-t0nqKA3yKcLDIurDnuoQ&hl=en&sa=X&ved=2ahUKEwi688zh_sDmAhVT8XMBHaXlC1QQ6AEwAXoECAwQAQ#v=onepage&q=mohd%20taib%20osman%20pusat%20tasik&f=false

http://www.gutenberg.org/files/47873/47873-h/47873-h.htm

https://www.jstor.org/stable/41559822?seq=1

​

Antara Saudara Mara 21

~ The Koboi Project

“Jadilah pemimpin untuk dirimu, anakku.
Sebulum engkau menjadi pemimpin bagi orang lain.”
Dewi Kunti

https://www.kompasiana.com/elfat67/5b7f2cbfab12ae5a4b4f8303/wayang-gelung-keling-dan-wahyu-dharma-prabu-puntadewa

Antara Saudara Mara 10

~ The Koboi Project ~ Leave a comment

Wayang

Seri Rama berkulit kambing,
hidup dimenterakan Dalang;
Kerajaan mengubah wajah,
berpadan bak dua talam!

Pantun ‘pascha tradisi’ merujuk kepada bunga-bunga bahasa Melayu asli –
1. Talam dua muka

Image https://www.malaysiakini.com/news/513803

Dari Pusat Tasek 26

~ The Koboi Project ~ Leave a comment
Could that be Haji Batu (on the right) climbing up the Pokok Pauh Janggi on this Wayang Kulit puppet?

In the Selangor Malay tale of Haji Batu, a man, journeying to perform the Haj, had to cross the fearsome Pusat Tasek (Navel of the Seas), a dangerous and fiendish place (Siapa terjatuh atau tergelincir, tersuruplah ia ke dalam pusar. Tempat menanti segala mara bahaya. Tempat duduk menantinya Nenek Sepit Pentala Naga di Laut Buih Gelombang Tujuh. Kalau si lemah yang sampai, maka hilang ghaiblah ia di mulut Raja Naga yang maha bisa). 

As Haji Batu’s ship went down, he clung to the Pokok Pauh Janggi in the middle of the swirl of the Pusat Tasek, and following instructions he had received in a dream, drew himself up on 7 nails that he drove into the tree. When he reached the top, he found the nest of the mythical gigantic Burong Roc (Garuda) that lived there.  He waited therein and when the Roc returned, he attached himself to the bird and flew Westward on his Journey to Mecca. (see Walter William Skeat’s Malay Magic).

http://www.gutenberg.org/files/47873/47873-h/47873-h.htm

Dari Pusat Tasek 21

~ The Koboi Project ~ Leave a comment
Nenek Sepit Pentala Naga | Tuan Puteri Ikan Selar Banum | Hanuman Kera Putih | Hanuman Ikan

In the Mak Yong Endeng Tajali, when the Great Raja dies, his sons the Elder Raja, the Middle Raja and the Young Raja fight for the throne. The Elder Raja is victorious and Middle Raja flees to the forest to became a Jin Gergasi haunting the land, while the Young Raja goes to the Laut Buih Gelombang Tujuh to become the Nenek Sepit Pentala Naga. At the centre of this lautan is, of course, the Pusat Tasek Pauh Janggi.

In the Kelantan Wayang Kulit at the bottom of, presumably, the same Pusat Tasek, there also lives a Nenek Sepit Pentala Naga. He is the Raja of the Negeri Lautan Buih. He has a beautiful daughter, the Tuan Puteri Ikan Selar Banum who marries the great warrior, Hanuman Kera Putih and has a child named Hanuman Ikan.

https://peabody.yale.edu/

http://rahimidinzahari.blogspot.com/2009/03/kembara-kata-di-balik-warna-rahimidin.html