Dari Pusat Tasek 26

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Could that be Haji Batu (on the right) climbing up the Pokok Pauh Janggi on this Wayang Kulit puppet?

In the Selangor Malay tale of Haji Batu, a man, journeying to perform the Haj, had to cross the fearsome Pusat Tasek (Navel of the Seas), a dangerous and fiendish place (Siapa terjatuh atau tergelincir, tersuruplah ia ke dalam pusar. Tempat menanti segala mara bahaya. Tempat duduk menantinya Nenek Sepit Pentala Naga di Laut Buih Gelombang Tujuh. Kalau si lemah yang sampai, maka hilang ghaiblah ia di mulut Raja Naga yang maha bisa). 

As Haji Batu’s ship went down, he clung to the Pokok Pauh Janggi in the middle of the swirl of the Pusat Tasek, and following instructions he had received in a dream, drew himself up on 7 nails that he drove into the tree. When he reached the top, he found the nest of the mythical gigantic Burong Roc (Garuda) that lived there.  He waited therein and when the Roc returned, he attached himself to the bird and flew Westward on his Journey to Mecca. (see Walter William Skeat’s Malay Magic).

http://www.gutenberg.org/files/47873/47873-h/47873-h.htm

PETRONAS’ Pipeline Interest 3

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On 13, 2020, it was reported on the UNIST’OT’EN website that, in what would be an escalation of the conflict over CGL pipeline, the RCMP (Police) have set up an “exclusion zone” at 27km and are blocking media, Wet’suwet’en people, and food from getting up to their territory. The report claims that this is a violation of the Wet’suwet’en’s human rights, of Wet’suwet’en law, and of their constitutionally protected rights as Indigenous people. The report also highlights the fact that the ‘last time RCMP set up an ‘exclusion zone,’ they had authorized lethal force against unarmed people.”

I am observing these developments as a Malaysian resident of British Columbia and I cant help thinking of our own Malaysian indignation at the Indian state’s mistreatment of Kashmiris with curfews and media black outs. Malaysians must be made aware that our premier Crown Corporation stands to benefit from these apparently analogous acts of the Canadian state. As I have noted before Malaysia’s PETRONAS’ investment in Kitimat is totally dependant on this CGL pipeline which will transport natural gas from PETRONAS’ own North Montney fields. So once again, the interests of the exemplary Malaysian bumiputera (indigenous) led enterprise is contrary to the those of a group of indigenous people from British Columbia.

http://unistoten.camp/jan13/

https://economictimes.indiatimes.com/news/international/world-news/malaysian-pm-says-india-invaded-occupied-kashmir-at-unga/articleshow/71362388.cms

PETRONAS’ Pipeline Interest 2

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According to a post on the UNIST’OT’EN website Wet’suwet’en Hereditary Chiefs have submitted a formal request to the United Nations to monitor RCMP (police), government and Coastal GasLink (CGL) actions on their traditional, unceded territory. This request follows the directive from the UN Committee on Racial Discrimination (CERD) requiring Canada to halt the pipeline project and withdraw RCMP from our territory in order to avoid further violations of Wet’suwet’en, constitutional, and international law. This submission reveals the Chiefs’ perception of the imminent threat posed by the RCMP and security forces currently surrounding Wet’suwet’en villages and lands.

As I have noted before Malaysia’s PETRONAS crown corporation holds a 25% stake in LNG Canada’s Kitimat development which is totally dependant on this CGL pipeline. This pipeline is intended to transport natural gas from Dawson Creek to Kitimat and much of this gas will come from PETRONAS’ own North Montney fields. As noted in the Globe and Mail, the UN Committee for the Elimination of Racial Discrimination says that it is imperative that all affected First Nations give free, prior and informed consent before the pipeline proceeds. So once again, the interests of the exemplary Malaysian bumiputra (indigenous) led enterprise is contrary to the those of a group of indigenous people from British Columbia.

https://unistoten.camp/unintervention/

https://www.theglobeandmail.com/canada/british-columbia/article-wetsuweten-coastal-gaslink-pipeline-rcmp-explainer/

PETRONAS’ Pipeline Interest 1

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petronas

Malaysia’s PETRONAS crown corporation holds a 25% stake in LNG Canada’s CAD $ 40 billion project in Kitimat. This massive development is dependant on the Coastal GasLink pipeline that TransCanada is building to transport the natural gas from Dawson Creek to Kitimat. To realize the extent of PETRONAS’ interest in the completion of this pipeline, it is important to understand that much of the natural gas that will flow to Kitimat through the pipeline will come from PETRONAS’ own North Montney fields. While this pipeline has been approved by the B.C. and federal governments, it has been criticized by Amnesty International, the B.C.’s Human Rights Commission and the UN Committee for the Elimination of Racial Discrimination. As noted in the Globe and Mail, the UN committee says that it is imperative that all affected First Nations give free, prior and informed consent before the pipeline proceeds. So once again, the interests of the exemplary Malaysian bumiputra (indigenous) led enterprise is contrary to the those of a group of indigenous people from British Columbia.

Although there are reportedly signed benefit with most of First Nations involved in the passage of the pipeline, there is opposition from the Wet’suwet’en Nation who have built the Unist’ot’en healing camp in its path. As explained in the Globe and Mail, the opposition to the pipeline “hinges on an old question many First Nations in Canada face: Whether authority over resource development lies with elected band councils, hereditary leaders or both. Five elected Wet’suwet’en band councils, whose authority is coded in the federal Indian Act, signed agreements with Coastal GasLink, along with 15 other B.C. elected band councils that accepted the pipeline. But the Wet’suwet’en also have a system of five matrilineal clans and 13 houses, each of which has at least one hereditary chief. Together the chiefs oversee traditional territories that, like many First Nations lands in B.C., were never ceded by treaty. Two house chiefs supported the pipeline, only to have their titles stripped by other chiefs. Eight of the house chiefs say the risk of environmental damage to the land is too great to allow the pipeline, and are part of the movement against it.”

https://www.theglobeandmail.com/canada/british-columbia/article-wetsuweten-coastal-gaslink-pipeline-rcmp-explainer/

http://www.coastalgaslink.com/

https://vancouversun.com/opinion/columnists/vaughn-palmer-ndp-celebrates-petronas-return-but-lng-canada-hurdles-remain

Dari Pusat Tasek 25

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The Dari Pusat Tasek exhibition will run at Percha Artspace, Lumut Waterfront till 19 JAN 2020. Hanging in the Percha gallery is a t-shirt bearing an image titled Rockin Cowboy. This is the t-shirt was worn by Sang Nabil Utama during the performance at the Lumut Waterfront on 25 Dec 2019. The image was shot outside the Rockin Cowboy Western store at 106 East Broadway, Vancouver. This is where I got my cattleman hat, my roper boots and spurs and my Rockmount Classic Sawtooth Western shirts for the first Koboi performance at the National Art Gallery, Kuala Lumpur in 2013. One of these shirts is now in the collection of the National Art Gallery.

Since that first Koboi Balik Kampung performance, I have passed many a Western hour at the Rockin’ Cowboy with Dave Lawr (Cowboy Dave) and Danny Kresnyak (Rock n Roll is in the House!). The store used to be a mere city block away from my apartment at Quebec and 7th, Vancouver but it has now moved further West to new premises at 118 West Broadway, just a few blocks from the original location.

Dari Pusat Tasek 24

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Anwar Saji Lagu Tamil

The 12th series in the Koboi Project, ‘Dari Pusat Tasek”, consists of a pair of photographs titled Naan Anaiyttal and Rockin Cowboy taken in Kampung Indian Settlement, Batu Caves and on West Broadway, Mount Pleasant, Vancouver, respectively. Naan Anaiyttal presents the Koboi standing before a hoarding of 12 meter cutout of formerly jailed Deputy Prime Minister and Parti Keadilan leader, Anwar Ibrahim. The Koboi stands gesturing forwards and upwards with a green skinned mango in his right hand. The cutout was initially erected around the 2008 election but taken down in the context of political controversy and  fears that the structure would be vulnerable to weather conditions. It was put up again for the 14th general election which took place in May 2018. The Koboi photograph was taken in 2018.  Naan Anaiyttal is title of a song from M G Rmachandran’s hit film Enga Veettu Pillai (1965). MGR was of course to become the Chief Minister of Tamil Nadu and the song has populist and egalitarian theme. Anwar Ibrahim, in turn is, however tenuously, in line to be the next Prime Minister of Malaysia.

Naan Anaiyittal
Athu Nadanthuvittal
Ingu Ezhaigal vedanai padamatta
Uyirullavari oru thunbamillai
Avar kanneer kadalile vizhamattar

If I were to rule
and if it comes to pass
The poor will not suffer
As Long as they live they will feel no pain
They will not fall into the sea of tears

or in Anwar Ibrahim’s summation –

​Kalau aku diberi kuasa
Tidak ada lagi yang derita
Tidak ada lagi yang miskin mengalir air mata

Dari Pusat Tasek 23

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Photo: Fadlin Zulkiffeli

Hamzah Yazd and Zai Kuning performed an impromptu ‘Gazal Pauh di bibir laut’  at the Dari Pusat Tasek opening, Percha Artspace, 25 Dec 2019. Hamzah read Balada Terbunuhnya Beringin Tua di Pinggir Sebuah Bandaraya and Benarkah Ketam Mengajar Anaknya Berjalan Betul? by Usman Awang as well as Di Bibir Air and Sajak-sajak Tengah Malam by Latiff Mohidin. Here is the conclusion of sajak-sajak tengah malam –

v
tujuh lautan
satu gelombang
di pusar perutmu
berpusing
denyutan purba
memanggil namaku
kuturuni bukit
kutinggalkan padang luas

aku merangkak kembali
ke lubuk kelammu

And in Hamzah’s own words, here is how the night went down –
Siuman tengah malam
Sajak sajak redam
Koboi balik kampung
Menghiris pauh ulung

Image https://www.facebook.com/photo.php?fbid=10156986157739677&set=pcb.10156986096034677&type=3&theater

Dari Pusat Tasek 22

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1. Dunia is inhabited by Man, animals, plants, objects, spirits; 2. Pusat Tasik Pauh Janggi is inhabited by Nagas, Jins, Garudas; 3. Padang Jauh dan Puncak Gunung is inhabited by Giants, jins; 4. Pulau Buah is inhabited by Ancestral spirits; 5. Kayangan is inhabited by Dewa, Perman; 6. Dasar Laut is inhabited by Raja Lebis. Modified from a diagram by Md. Salleh Yaspar.

The combined downward spiral of the Pusat Tasek and the upward thrust of the enormous Pokok Pauh Janggi combine to create an axis of Malay Ontology or cosmos. Anker Rentse explains, from ethnographic notes that seem to have been made in Ulu Kelantan“Shurga, Heaven, is on the top of Pauh Janggi, and Nuraka, Hell, is down below its roots. A gigantic hole between the roots causes the ocean water to disappear into hell’s big boiling-pot, kawah nufaka , whence the whirl-pool. Underneath the pot burns everlasting fire. A dragon guards the hole, the gate to hell ( pintu nuraka) with its body in order to prevent the ocean from running dry. In Pusat Tasek an account is kept of the good and the bad deeds of every human being in the world. The accountant in Heaven is Ka’ Tebir, and in Hell, Kiraman. The last one is said to be so busy on occasions, that he gets angry, throws his pen on the floor and declares, Ini sekarang sudah chukup!”

The Dari Pusat Tasek exhibition will run at Percha Artspace, Lumut Waterfront, till 19 JAN 2020  Photographs of the Lumut performance will go towards making the 13th series of the Koboi Project tentatively titled Badan Aku Tubuh Negara. The draft of this work can be viewed at  https://koboibalikkampung.wixsite.com/sialjambalang

https://www-jstor-org.proxy.lib.sfu.ca/stable/41559847

https://books.google.com.my/books?id=-AR-V3ymAzoC&pg=PA274&lpg=PA274&dq=mohd+taib+osman+pusat+tasik&source=bl&ots=Ck_2ts5cvN&sig=ACfU3U189ige7-t0nqKA3yKcLDIurDnuoQ&hl=en&sa=X&ved=2ahUKEwi688zh_sDmAhVT8XMBHaXlC1QQ6AEwAXoECAwQAQ#v=onepage&q=mohd%20taib%20osman%20pusat%20tasik&f=false

Dari Pusat Tasek 21

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Nenek Sepit Pentala Naga | Tuan Puteri Ikan Selar Banum | Hanuman Kera Putih | Hanuman Ikan

In the Mak Yong Endeng Tajali, when the Great Raja dies, his sons the Elder Raja, the Middle Raja and the Young Raja fight for the throne. The Elder Raja is victorious and Middle Raja flees to the forest to became a Jin Gergasi haunting the land, while the Young Raja goes to the Laut Buih Gelombang Tujuh to become the Nenek Sepit Pentala Naga. At the centre of this lautan is, of course, the Pusat Tasek Pauh Janggi.

In the Kelantan Wayang Kulit at the bottom of, presumably, the same Pusat Tasek, there also lives a Nenek Sepit Pentala Naga. He is the Raja of the Negeri Lautan Buih. He has a beautiful daughter, the Tuan Puteri Ikan Selar Banum who marries the great warrior, Hanuman Kera Putih and has a child named Hanuman Ikan.

https://peabody.yale.edu/

http://rahimidinzahari.blogspot.com/2009/03/kembara-kata-di-balik-warna-rahimidin.html

Dari Pusat Tasek 20

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The Dari Pusat Tasek exhibition will run at Percha Artspace till 19 JAN 2020, ‘Dari Pusat Tasek” is the title of the 12th series in the Koboi Project, which includes a photograph titled  Naan Anaiyttal  taken in Kampung Indian Settlement, Batu Caves. It presents the Koboi standing before a 12 meter cutout of formerly jailed Deputy Prime Minister and Parti Keadilan leader Anwar Ibrahim. The Koboi stands gesturing forwards and upwards with a green skinned mango in his right hand. The cutout was initially erected around the 2008 election but taken down in the midst of a political/religious controversy about wastage/idolatry and fears that the structure would be a danger to the public in unfavourable weather conditions. It was put up again for the the 14th general election which took place in May 2018. 

The Koboi photograph was taken in 2018. Naan Anaiyttal is title of a song from M G Rmachandran’s hit film Enga Veettu Pillai (1965). MGR was of course to become the Chief Minister of Tamil Nadu and the song has populist and egalitarian theme. Anwar Ibrahim, in turn, is in line, however tenuously, to become the next Prime Minister of Malaysia next Prime Minister. Here are the lyrics of the song in Tamil, English, Malay and finally in Anwar Ibrahim’s own elegant translation –

Naan Anaiyttal
Athu Nadanthuvittal
Ingu Ezhaigal vedanai padamatta
Uyirullavari oru thunbamillai
Avar kanneer kadalile vizhamattar

​If I were to rule
If that comes to pass
The poor will not suffer
As Long as they live they will feel no pain
They will not fall into the sea of tears

​Kalau saya diperintah
Kalau ia menjadi kebenaran
Kaum miskin tidak akan menderita
Sepanjang hidupnya tanpa kecewa
dan tidak terjatuh ke lautan air mata

Kalau aku diberi kuasa
Tidak ada lagi yang derita
Tidak ada lagi yang miskin mengalir air mata

Naan Anaiyttal
Lyrics by Vaali