Yar Nee Ayah?

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With days to go till the worldwide release of Kaala, SUPERSTAR Rajinikanth gets asked the metaphysical question of his life – While on a visit to the victims of what a UN working group has called a police atrocity in the context of the 100 day environmental protest in Thoothukudi,  a young man among the injured asked him – Yaar Nee Ayah? or Who are you sir?  In my reading, the perfectly pitched question interrogates the capacity in which the Rajinikanth visit was being made – that of the Kollywood hero, the renowned philanthropist or, indeed, the newly minted politician!

This question seems to have sent our Thalaivar into a tailspin. In subsequent interactions with the media Rajinikanth revealed a highly conservative streak … contrary to the image that the meticulous marketing campaign has built-up for the release of Kaala, whose revolutionary protagonist leads a ghetto uprising of the downtrodden, Rajinikanth seems to have a highly reactionary core. He blamed ‘anti-social elements’ amongst the protestors for the state violence – police shootings that left 13 protesters dead. He even seems to have said that continuous uprisings will turn Tamil Nadu into a graveyard … Yikes!

In this double whammy of self-infliction, Rajinikanth seems to have squandered his capital in mass perception –  the a unity of person and persona,  that he has painstakingly built up over decades of cinematic imagineering … and as a consequence, film Kaala and his character in it, which have been promising great heft, suddenly seem hollow and feather light … more significantly Rajinikanth has revealed his so-called ‘Spiritual Politics’ to be, on this matter at least, fully aligned with the State AIADMK government and the BJP Federal government. Sadly Rajni also lost his temper with reporters breaking yet another invaluable asset –  the image of the unworldly and unperturbed sage. How will the upcoming film, the Kaala character, the aspiring politician and the man recover from this … I for one will be following closely!

Image: https://www.thenewsminute.com/article/who-are-you-rajinikanth-left-embarrassed-thoothukudi-young-mans-question-82185

http://www.thehindu.com/news/national/tamil-nadu/un-working-group-condemns-police-action-at-thoothukudi/article24055695.ece

https://timesofindia.indiatimes.com/city/madurai/death-toll-rises-to-13-in-tuticorin-police-firing/articleshow/64301103.cms

カウボーイとインディアンズ:東京版

koboiコートヤード HIROO:2018年5月11日午後7
〒106-0031 東京都港区西麻布4-21-2
Courtyard HIROO : 7pm 11th May 2018
4-21-2 Nishiazabu, Minato-ku, Tokyo, 106-0031 JAPAN
Tel. +81-3-6427-1185     info@cy-hiroo.jp

コボイプロジェクトは、写真イメージ、伝統的アイコン、物語、コラボレーション、お祭り的要素を包括したフォトコンセプチュアルパフォーマンスのシリーズから構成されています。本展で発表する『カウボーイズとインディアン:コートヤード広尾 東京エディション』においてニランジャン・ラージャーはタミル映画のスーパースター「ラジニカーント」の18フィートのバナーと人形専門店久月の桃太郎の人形を展示します。そして、スーパースター、桃太郎人形、観客の一人に対して彼から捧げものを送るという構成です。ラジニカーントを日本に紹介したことで知られる映画評論家・プロモーターである古谷文雄(ペンネーム:江戸木純)も今回特別ゲストとして参加します。また、2018年5月7日から10日の期間には、ストリートパフォーマンスとして東京のリトルインディアである西葛西からスタートし東京の各所において縮小バージョンのパフォーマンスとインスタレーションが行われます。ニランジャンは彼らと共にパフォーマンスを行います。 シェフ、オートリクシャー、ドライバー:武田尋善 、チェロ:ターラ・ラージャー 、メガホンの詩:ジェーン フランキッシュ、インドムービーダンスチーム サンドーシャン: みかん(リーダー、振付師)、武田尋善、鹿島信治、ひろよん、サキ、えみこ、ぽん、浅沼真也 、撮影:ドゥルガー・ラージャー
詳細は https://koboibalikkampung.wixsite.com/momo をごらんください。

Stateless Indians Clock

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100 DAYS! Good Morning Malaysia this is Day one of a new Malaysian era! While I celebrate our change of government as an unprecedented expression of democratic praxis, I feel obliged to note that, in the midst of the euphoria, the clock is ticking on promises made. Writing as an Indian Malaysian, I want to remind the new government in power that as they the opposition they gave themselves 100 days to solve the ‘Stateless Indians’ problem. I was skeptical about this promise, which I suggest is, at best, hyperbole for a much less expansive promise – to set in place the laws, administrative procedures and outreach that might make it possible to begin addressing the problem stateless among Malaysian Indians. So while I hold that the promise was unscrupulous in its overreach, within it there is a discernible and actionable offer made to the Indian community. This offer, it seems, has now been accepted. And consideration has been given in the form of the mandate to govern. It is now up to Tun Dr Mahathir and his presently crystallizing Pakatan Harapan cabinet to deliver on this contract  – on this Indian aspect of the new social contract. The 100 day clock is ticking!

Image: https://boingboing.net/2015/12/02/theres-a-100-hour-rule-n.html

Kabali Da! 4

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Like our Thailavar Tun Dr Mahathir, I too am back (in a much more modest way of course!) I AM BACK IN JAPAN after about 20 years .. On my first trip in 1998, I saw our Rajinikanth beaming down at me from a cinema hoarding .. and thus was the seed sown that has flowered into the Koboi Balik Kampung roadshow that I am now taking round the world! I used to be a regular visiter to Japan in the late 1990’s under the auspices of the Japan Foundation and the Fukuoka Art Museum and I am really happy to be back here for Cowboys and Indians: Tokyo Edition. Please come … all are welcome!

カウボーイとインディアンズ:東京版

コートヤード HIROO:2018年5月11日午後7
〒106-0031 東京都港区西麻布4-21-2
Courtyard HIROO : 7pm 11th May 2018
4-21-2 Nishiazabu, Minato-ku, Tokyo, 106-0031 JAPAN
Tel. +81-3-6427-1185     info@cy-hiroo.jp

Image: https://www.facebook.com/niranjan.rajah/timeline/story?ut=60&wstart=0&wend=1527836399&hash=2187518281479683616&pagefilter=3

Kabali Da! 3

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Just the way he was when he left 15 years ago … HE IS BACK!!!

KABALI DA!

Image: https://www.washingtonpost.com/world/asia_pacific/the-latest-lines-grow-at-polling-booths-for-malaysia-vote/2018/05/08/1b95077a-5322-11e8-a6d4-ca1d035642ce_story.html?noredirect=on&utm_term=.c314167f9aeb

Kabali Da! 2

920x920In August 2015, in a conversation that my friend, journalist Ismail Lim that he later developed into his Do You Want Mahathir to Shut Up piece in Free Malaysia Today, I had said ”Mahathir is the father and mother of modern Malaysia. Without him, the Malays would still be struggling to get out of the backwater and everyone else without exception would be in a sleepy Third World idyll” ….

…. years later, just yesterday, on the eve of GE 14, in a conversation with another friend who will remain annonymous, this idea was picked up and developed. This friend said, “If anyone can liberalise the conservative Malay mindset it is Mahathir. He tried to help them adapt to modernity even before his 22years as PM. His “Malay Dilemma” showed how he was acutely aware of the toll that the 21st century would take on the feudal structures and simplistic protectionist relflex that the Malay psyche. What he did not foresee was the extent to which his greedy knights would end up looting the kingdom jewels and mortgage the realm – He pampered his barons by pandering to their need to dress up for the pendekar roleplay, undermining his own cauase … and now it may be too late …

… As I said in 2015, Mahathir may not be all good, but he is nearly all smart. And he’s taking responsibility for the political monster he created. The ‘old man’ is a player and Malaysians need to play hard ball now to get out of this mess … I think Mahathir’s principle is success and not necessarily goodness or fairness. Malaysia must succeed. If not, he will bring the skeleton back to the dock anyhow”

I was responding then, to Ismail’s reference to the allegory of the fish from Hemingway’s The ‘Old Man’ and the Sea. … Last night, on June 7th, Mahatir gave his last speech of what has been a most amazing campaign for any man, let alone an ‘old man’ of 90 plus years. What can I say … , Mahathir has done his all. He has played ball with the stamina and verve of a much younger man. Thank you Dr M … right or wrong, win or loose, you have done your part!!!

Image https://www.nhregister.com/news/world/article/Mahathir-wants-to-rule-Malaysia-again-shakes-up-12883579.php

http://www.freemalaysiatoday.com/category/highlight/2015/08/29/do-you-want-mahathir-to-shut-up/

Kabali Da!

I have always liked Mahathir Mohammed … the way I liked Muhammed Ali I guess … whether it is against great fighters like Frazier or Foreman or underdogs like Bugner … I was always with Ali …  same with Mahathir … I like his style, his guts,and his perfect poise … like a surfer or Jazz improviser .. he reacts with the most natural grace …  To paraphrase or restate an idea from Miles Davis ( I think it was Herbie Hancock who explained this lesson from the Master) … its not the right note or the wrong note … its just the next note … and its up to you to make it work … Good Luck Dr M.

Kabali Da!

Indian Vote: Entha Kabali?

Kabali Teaser Stills-Photos-RajinikanthKuninju nendra Kabali endru ninechengala? While I see myself as a Malaysian  first and an Indian second in the cultural aspect of my Identity, in the political sense I insist that I am an Indian first. There is not as yet a possibility of a post communal political identity for Malaysians! Even the opposition has to be organized on the basis that to beat the race card of Barisan you have to play the race card yourself. Yes communalism seems to be a necessary pragmatism, an underlying reality even! … anyway  this reality leaves me no choice but to look at the present situation as an Indian. While, it is technically not correct for me as a Jaffna Tamil to say, within the categorization of our national apartheid, that I am an Indian. I have claimed this identity in spirit and untill my Indian brothers and sisters insist I stop, I will continue to do so …

So with polling day around the corner and a Malay, nay Malaysian Tsunami is an imminent possibility. The vote looks like being really close. Many good Malaysians are crying out for change at any cost and by any compromise … I too feel that, at the very least, it will establish, in practice, the democratic principle of ‘the limited term of office’, something that Malaysians have enjoyed only in theory since Merdeka. Whatever happens in the voting, it looks like it is indeed going to be close and, perhaps, the Indian vote is going to be important.  The highly respected activist and former leader of Bersih, Dato Sreenevasan, recently wrote in Malaysiakini, “In my view, not one Malaysian Indian or Orang Asli* vote should go to the BN”.

Although the sentiment rings true and the logic is sound this idea has a familiar aroma to it … Indians being herded again… being told how to think and what to do one way or the other! … it smells like cow dung (this is not an insult to Indians, certainly not to Hindus anyway) …  While the Indian vote owes Barisan sweet Fuck All … does the opposition look like they will treat us any different? Just look at how they made unholy exaggerations and unfulfillable promises on the Stateless Indians issue. Please lah! Annai, Thambi, Acca, Thangachi, realize that your vote is your most important right. It is a right to exercise as you will  … and even not to exercise it at all … what if neither side is looking worthy … should they not be shown that the Indian vote, just like the vote of the other communities, has to be earned?

Decades of Barisan promises … yet nothing achieved, Hindraf ‘s absurd promise of fighting for compensation from the British and now the opposition claims and promises on the all-important stateless Indians issue – If we are to be pragmatic in our voting as Malaysians to achieve the best result for the nation … then Malaysian Indians might likewise consider being pragmatic in their voting as a community … At least Barisan has an electoral inducement blueprint of some kind … and a budget is promised (yes, promises have been broken before!) …. while it stinks (unlike cow dung … which does not smell bad!), for what its worth, it seems to be real. In this light … I prefer what commentator Gokula Kumar Appalanaido said (6/May/2018 at 3:41:12am) in response to the Malaysiakini article …. “We will vote according to our conscience”! Kabali Da!

* I am not forgetting the Orang Asli … but that is another sad Malaysian story of injustice that needs to be addressed on its own terms.

Image: https://www.youtube.com/watch?v=ZxfXTQnmZaA

https://www.malaysiakini.com/news/423372

カウボーイズとインディアンズ: 東京版

tokyotower
カウボーイズとインディアンズ: 東京版
コートヤード・ヒロ: 2018年5月11日午後7
〒106-0031 東京都港区西麻布 4-21-2
Courtyard Hiroo: 7pm 11th May 2018
4-21-2 Nishiazabu, Minato-ku, Tokyo, 106-0031 JAPAN
Tel. +81-3-6427-1185     info@cy-hiroo.jp

The Koboi Project is series of a photo-conceptual performances, involving photographic images, traditional icons, story telling, collaboration and conviviality. For Cowboys and Indians: Tokyo Edition at Courtyard Hiroo, Niranjan Rajah will present an 18ft banner of Tamil movie SUPERSTAR Rajinikanth and an antique Momotaro doll made by the Kyugetsu Company. He will make an offering to the SUPERSTAR, to Momotaro-san and then, to one member of the audience. The visionary film critic and promoter Fumio Furuya (a.k.a. Jun Edoki), who is responsible for introducing Rajinikanth to Japan, has accepted an invitation to attend as an honoured guest. A scaled down version of the performance will be taken around the city for a series of impromptu interventions between the 7th and the 10th of May 2018, starting in Nishi-Kasai, Tokyo’s Little India. Niranjan will be accompanied by: Hiroyoshi Takeda – Autokaran, Chef; Tara Rajah – Cello; Jane Frankish – Poems on the Megaphone; Mikan Bindu (leader and choreographer) Hiroyoshi Takeda, Shinji Kashima, Hiroyo Yamaguchi, Saki Ito, Emiko Sawada, Yumiko Honda, Shinya Asanuma – SANDOSHAM Indian Movie Dance; Durga Rajah – Photography. For more information please visit: https://koboibalikkampung.wixsite.com/momo

端午の節句 (Tango No Sekku)

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Today is May 5th, which is the Tango No Sekku holiday. It was celebrated as ‘boys day’ in Japan throughout the centuries, embodying the Japanese martial tradition of grooming boys into men. It involve various symbols of samurai armour and weaponry and Koinobori, the fabric carp streamers are flown throughout the land. The picture above was taken today in Nishi-Kasi, Edogawa Ward, Tokyo. Boys day is also the occation for the celebration of Momotaro, the Peach Boy. As part of the 2nd edition of the Cowboys and Indians series  at Courtyard Hiroo Gallery, Tokyo,  I will present an installation/ performance around my on-going theme of the mango and the Indian myths that give meaning to this wondrous fruit. I will engage with Japanese traditions via of the legend of Momotaro. During the performance, I will present an an antique Momotaro doll made by the Kyugetsu Company and I will develop an association between Indian and Japanese symbolism centered on the substitution of the peach for the mango.