A monument to Andrei Tarkovsky was opened on the 29th July 2017 in Suzdal, where his own monumental contribution to Russia cinema, Andrei Rublev, was shot in 1965 … well over half a century ago. Andrei Tarkovsky was in my view the most important artist of the 20 century in any medium. Yes, that is a sweeping statement! … but I have just watched his films in the cinema – Solaris 3 times and Stalker twice in the course of the last week, and feel this claim is justified. I shall do my best to contextualize my hyperbole … and if I fail to convince you … perhaps, you might at the very least, understand where I am coming from (my perspective or paradigm)!
In a deathbed conversation with Krzysztof Zanussi, he said to his friend and esteemed colleague, “If I happen to die, please whenever you talk about me, remind people I want to be remembered as a sinner, as somebody who committed many sins …. “ Andrei Tarkovsky was Christian and I believe he was expressing, in this request, his subscription to the doctrine of original sin, which although different in orientation and nuance, is in essence similar to the Islamic fitrah (original purity) or the Buddhist dhukka (universal suffering). In all his work Tarkovsky struggled to express this sacred, understanding of the human condition in historical and psychological terms.
In his hands, film, the quintessential 20th Century representational medium, becomes both a medicine and a sacrament – an interface for healing and a window on salvation. He set this ameliorative and soteriological vehicle into motion in what Ingmar Bergman, no less, has described as “a new language, true to the nature of film, as it captures life as a reflection, life as a dream”. Tarkovsky is the exemplary post-traditionalist, utterly contemporary in his engagement with social history and psychology … timeless in his grasp of the sacred. He articulated this timelessness in his films, his 7 technically and aesthetically masterful ‘sculptures of time‘!
Image : http://wellnews.us/articles/the-firstever
https://www.youtube.com/watch?v=mHnUhowBYkI
https://people.ucalgary.ca/~tstronds/nostalghia.com/TheTopics/IB_On_AT.html
As I shift my attention from the now aborted PETRONAS investment on Lelu Island to the underlying and ongoing PETRONAS engagement with British Columbia’s LNG sector, I feel it necessary to 


The Koboi Project will be at Burning Man 2017 in the Nevada dessert.
Yesterday, the left leaning NDP officially formed the new government of British Columbia thereby ending of 16 years of conservative Liberal Party rule in our Province. The NDP had no majority on their own but with the support of the BC Green party they just pushed past the Liberals by one seat. I have addressed the duality of the NDP position regarding the Lelu Island LNG development in a 
This Ken Lum’s Untitled (Zainub), 1984. It is a chromogenic print mounted on acrylic, 101.6cm × 228.6cm × 5cm upon which my image 5 Zainub (Untitled), also a chromogenic print, 20in x 30in, will be based. This image was discussed in my 


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