Hantu Tinggi

The Koboi performances involve integrating themes that arise from the location of the event with the abiding themes of the Koboi Project – 1) the persona of the black hat cowboy, 2) the giant SUPERSTAR banner , and 3) the ritual offering. The SUPERSTAR banner brings a sense of scale, both immediate physical size and the more expansive sense of mass media projection. The first SUPERSTAR banner carried a representation of inimitable Kollywood giant Rajinikanth. It was initially raised at the Burning Man Festival 2017, and later presented in Tokyo 2018, Bangkok 2018, and Lisbon 2018 & 2019. For the Dari Pusat Tasek performance at Percha Artspace, Lumut, Perak in December 2019, the image of Rajinikanth was replaced by that of Malaysian political colossus, Anwar Ibrahim. This Anwar Banner was raised again at Kapallorek Artspace, Bandar Seri Iskandar, Perak in August 2023.

Bandar Seri Iskandar is a new university town, a recent development in an older area known as Bota. ‘Bota‘ derives from the Sanskrit bhūta (demon) and refers to a local ‘giant’. According to folklore, once upon a time, giants inhabited this area and the old place names of the surrounding areas – Bota Kanan, Bota Kiri and Ekor Bota, stem from layering the image of a fallen giant over a landscape shaped by the Perak river. If one were to understand this physical territory in terms of the ontology of the traditional Malay cosmos, one might see it as being contiguous with the area known as Padang Jauh dan Puncak Gunung.

With both SUPERSTARS and Botas in mind, a propitiation was made, at the start of the Pokok Pauh Janggi performance (see notes) to all the Hantu Tinggi. Struggling against the wind that arose at this time, I lit a red candle at the near the massive Gergasi Bota mural on the Kapallorek building, while calling out,
.
Aku minta’ ampun kapada sagala Hantu Tinggi!
I ask forgiveness of all Tall Ghosts (Giants)!

At this very moment, the SUPERSTAR banner, that had been previously raised, collapsed in a sudden gust of wind, as if to indicate the Hantu Tinggi did not quite approve! Having raised the banner again, and having secured it properly this time, I placed the lighted candle at its foot.

https://sangpengembaraalamkehidupan.blogspot.com/2017/03/lagenda-gergasi-bota-sebuah.html

SUPERSTARS!! 3

And there you have it! SUPERSTAR meets SUPERSTAR!

https://www.thevibes.com/articles/news/98680/when-heroes-meet-anwar-welcomes-rajinikanth-in-putrajaya

SUPERSTARS!!

My two SUPERSTARS come together! What can I say!!!

Image: https://www.freemalaysiatoday.com/category/nation/2023/09/11/indias-film-superstar-rajinikanth-calls-on-anwar/

Not A Tamil Tradition 2

There are reports circulating that Rajinikanth will become the BJP Governor of Telangana. These may just be rumors but they do conform to the logic of his recent gesture of prostrating before BJP Chief Minister of Uttar Pradesh Yogi Adityanath. Looks like our SUPERSTAR might get his saffron make-over after all!

https://govtschemesinfo.in/telanganasuperstar-rajinikanth-as-the-governor-of-telangana/

https://www.livemint.com/news/india/efforts-being-made-to-paint-me-with-saffron-won-t-get-trapped-rajinikanth-11573225013695.html

Not a Tamil Tradition!

Rajinikanth SUPERSTAR recently took flak on social media for falling at the feet of Yogi Adityanath, the Chief Minister of Uttar Pradesh, in complete contradiction to the SUPERSTAR’s cultivated Dravidian Hero persona. In his defense, the SUPERSTAR claimed that his act of supplication, which is in keeping with Hindu tradition, was a habitual reflex – to fall at the feet of renunciants and holy men. This would be in keeping with his long-established public persona as a devout Hindu but the complication is that the revered yogi is a stalwart of a virulent form of BJP/RSS Hindutva. One which seems to be unrestrained in demonizing and victimizing Muslims to further its political/ideological agenda. Rajinkanth’s supplication to such a figure is surely at odds with the inclusive spiritual politics he called for during his stint as an aspiring Tamil Nadu politician. While this public prostration of one man at the feet of another, may be in keeping with the Sanatana Dharma that the actor professes, as Dravidian firebrand politician Seeman puts it in the meme above, it is in complete contradiction to the self-respect and radical humanism of the Tamil Dravidian movement as well as to the persona that the SUPERSTAR presents to the masses.

Image: https://www.pathrum.in/2023/08/21/dont-fall-at-the-feet-of-those-with-power-and-money-rajinikanths-old-speech-goes-viral/

https://thewire.in/communalism/100-instances-of-hate-speech-religious-polarisation-hindutva-supremacy-in-adityanaths-poll-speeches

https://indianexpress.com/article/explained/explained-history/sanatan-dharm-meaning-history-8924036/

https://thesouthfirst.com/pti/dravidian-movement-is-about-self-respect-social-justice-and-federalism-tn-finance-minister-reacts-to-governor-ravi/

About the Koboi Project

The Koboi Project is an expression of my search for an integral identity, across the gaps of an inter-generational diasporic experience, within the context of the contemporary crisis of globalization. The Koboi Project integrates its own abiding tropes – the ‘black hat cowboy and the ‘SUPERSTAR’ with the idioms, myths, and contemporary issues of each place of performance or presentation. An important aspect of the work is the circulation of its messages via a range of media, beginning with the megaphone and the banner as primordial transmitters of word and image. The Koboi Project is realized and disseminated by way of photographic prints, performances, installations, and online images/ social media. Among the imperatives of this autobiographical photo-performative project is the development of a deep engagement with place and people. This involves an immersion in the social history, popular culture, language, and religion of the places involved.

The most recent Koboi Project presentation is the Pokok Pauh Janggi exhibition at the Kapallorek Artspace, Bandar Seri Iskandar, Perak in Aug/Oct 2023.

Baba is Back!

‘Director Suresh Krissna, explains the reasoning behind the re-release of Superstar Rajinikanth’s 2002 flop, Baba in 2022. Suresh notes that Rajinikanth felt that a re-release might work today, in the context of the rise of fantasy-oriented content, as proved by the success of Kantara and Karthikeya. Baba has been. The film was released in theatres on December 10th, two days before the Superstar’s birthday.

https://www.thehindu.com/entertainment/movies/why-rajinikanth-is-re-releasing-his-baba-now-director-suresh-krissna-explains/article66194502.ece