Of late, the SUPERSTAR’s sign (semiotically speaking) was being reconstituted as a unity of two distinct signifiers – one being that of the established screen ‘hero’ and the other, the emerging ‘politician’. Both these signifies had, in the run-up to the release of PA Ranjith’s Dalit-Bahujan (the proletariat majority in the context of Indian caste society) gangster flick Kaala, seemed to be coalescing to signify something like … ‘Common (Tamil) People’s Leader’. In the wake of the Thoothukudi police massacre, however, Rajinikanth’s response, seem to have created a sudden and impactful aporia or space of internal contradiction within this singular signification.
Who is the Superstar Rajinikanth?! ….