Koboi in Belem

MORE DETAILS : https://koboibalikkampung.wixsite.com/nuntengporta/ 

Estarei realizando uma série de intervenções de rua improvisadas em Belém. Fique atento para o Koboi no e Jardim da Praça Afonso de Albuquerque e ao redor do Monumento aos Descobrimentos entre 22 e 30 de junho de 2019.

 I will be performing a series of impromptu street interventions in Belem. Watch out for the Koboi at the e Jardim da Praça Afonso de Albuquerque and around the Monument to the Discoveries between 22nd and 30th June 2019.

Kaza Nunteng Porta

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‘Kaza Nunteng Porta’ is Kristang (Melaka Portugese) for ‘House Without a Door’. It is the title of the latest Koboi Project series shot in Belem, Lisboa. This series addresses notions imperialism, globalization, migration, miscegenation and tourism in the course of my expansive Koboi Narrative. In impromptu photo-performances that took place at the Alfonso De Albuquerque Monument and the Discoveries Monument in Belem, Lisbon on 7th and 8th July 2018 respectively, I recast two important Portuguese memorials to discovery and ascendancy in an allegory of diasporic identity. In the course of each performance I raised my Pazaham Neeyappa banner with its image of Tamil movie SUPERSTAR Rajinikanth and played audio clips on a megaphone. The audio included Fausto’s A Guerra é a Guerra and Soundararajan & Janaki’s Ulagam Ulagam and a rendition of Jingkli Nona on the cello by Tara Rajah. I also played verses from the Malay pantun (poem) Kalau Roboh Kota Melaka and the lyrics of Ulagam Ulagam spoken in Portuguese by Hugo Moss. At the heart of each street intervention was the convivial engagement with the passers-by. Cards presenting the state flag of Melaka  were handed out.

Who Are You Man!

Of late, the SUPERSTAR’s sign (semiotically speaking) was being reconstituted as a unity of two distinct signifiers – one being that of the established  screen ‘hero’ and the other, the emerging ‘politician’. Both these signifies had, in the run-up to the release of PA Ranjith’s Dalit-Bahujan (the proletariat majority in the context of Indian caste society) gangster flick Kaala, seemed to be coalescing to signify something like … ‘Common (Tamil) People’s Leader’. In the wake of the Thoothukudi police massacre, however, Rajinikanth’s response, seem to have created a sudden and impactful aporia or space of internal contradiction within this singular signification.

Who is the Superstar Rajinikanth?! ….

https://www.firstpost.com/entertainment/kaala-is-not-a-rajinikanth-movie-a-dalit-bahujan-reading-of-the-anti-caste-politics-in-pa-ranjiths-film-4505063.html