About the Koboi Project

The Koboi Project is an expression of my search for an integral identity, across the gaps of an inter-generational diasporic experience, within the context of the contemporary crisis of globalization. The Koboi Project integrates its own abiding tropes – the ‘black hat cowboy and the ‘SUPERSTAR’ with the idioms, myths, and contemporary issues of each place of performance or presentation. An important aspect of the work is the circulation of its messages via a range of media, beginning with the megaphone and the banner as primordial transmitters of word and image. The Koboi Project is realized and disseminated by way of photographic prints, performances, installations, and online images/ social media. Among the imperatives of this autobiographical photo-performative project is the development of a deep engagement with place and people. This involves an immersion in the social history, popular culture, language, and religion of the places involved.

The most recent Koboi Project presentation is the Pokok Pauh Janggi exhibition at the Kapallorek Artspace, Bandar Seri Iskandar, Perak in Aug/Oct 2023.

Black Hat Thai Style

dumnew

The Koboi performance for the Bangkok Biennale 2018 references Wisit Sasanatieng’s highly stylized and beautifully colourized 2007 film, Fah Talai Jone (Tears of the Black Tiger), in which the character of Dum gives the cliche of the ‘black-hat cowboy’ a Rahuesque intensity!  Ultimately Cowboys and Indians: Bangkok Edition is, like Sasanatieng’s film as I understand it, a paean to almighty Buddha for his compassion​.

Yoo hoo hoo hoo
I’ve been crying for your mercy
Does anyone have some mercy for me

Yoo hoo hoo hoo

From the lyrics of Mercy by Leud Prasomsap
(as translated in the subtitles of Tears of the Black Tiger DVD)

image: http://www.badmovies.org/capsules/t/tearstiger/