The Election Commission of Tamil Nadu has allotted the “Auto-rickshaw” symbol to a newly registered party called ‘Makkal Sevai Katchi,’ (MSK) which is, according to Outlook, believed to be the party floated by Tamil SUPERSTAR Rajinikanth to contest in the 2021 Tamil Nadu State Assembly elections. The article cites the lyrics Autokkaaran, autokkaaran, naalum therijna rootukkaaran (I am an auto-driver who knows all the ways) from the introductory song from his blockbuster film “Baasha” (1995).
〒106-0031 東京都港区西麻布 4-21-2
Courtyard Hiroo: 7pm 11th May 2018
4-21-2 Nishiazabu, Minato-ku, Tokyo, 106-0031 JAPAN
Tel. +81-3-6427-1185 firstname.lastname@example.org
The Koboi Project is series of a photo-conceptual performances, involving photographic images, traditional icons, story telling, collaboration and conviviality. For Cowboys and Indians: Tokyo Edition at Courtyard Hiroo, Niranjan Rajah will present an 18ft banner of Tamil movie SUPERSTAR Rajinikanth and an antique Momotaro doll made by the Kyugetsu Company. He will make an offering to the SUPERSTAR, to Momotaro-san and then, to one member of the audience. The visionary film critic and promoter Fumio Furuya (a.k.a. Jun Edoki), who is responsible for introducing Rajinikanth to Japan, has accepted an invitation to attend as an honoured guest. A scaled down version of the performance will be taken around the city for a series of impromptu interventions between the 7th and the 10th of May 2018, starting in Nishi-Kasai, Tokyo’s Little India. Niranjan will be accompanied by: Hiroyoshi Takeda – Autokaran, Chef; Tara Rajah – Cello; Jane Frankish – Poems on the Megaphone; Mikan Bindu (leader and choreographer) Hiroyoshi Takeda, Shinji Kashima, Hiroyo Yamaguchi, Saki Ito, Emiko Sawada, Yumiko Honda, Shinya Asanuma – SANDOSHAM Indian Movie Dance; Durga Rajah – Photography. For more information please visit: https://koboibalikkampung.wixsite.com/momo
Cowboys and Indians: Tokyo Edition will be presented at Courtyard Hiroo Gallery, in a show titled ‘Home’ in the Expanded Field’ curated by and John Tran and Hana Sakuma. This exhibition explores ‘home’ as ‘a place that can be transitory, imaginary, and whose meaning is unstable or elusive’. I will present an installation/ performance around my on-going theme of the mango and the Indian myths that give meaning to this wondrous fruit. I will engage with Japanese myth and traditions via of the legend of Momotaro (the Peach Boy). During the performance, will present a Momotaro doll made by the Kyugetsu Company (esteemed doll makers dating back to 1835) in the 1920’s or 1930’s, and develop an association between Indian and Japanese symbolism centered on the substitution of the peach for the mango.