Makkal Sevai Katchi!

1 Autokkaaran, https://koboibalikkampung.wixsite.com/momo

The Election Commission of Tamil Nadu has allotted the “Auto-rickshaw” symbol to a newly registered party called ‘Makkal Sevai Katchi,’ (MSK) which is, according to Outlook, believed to be the party floated by Tamil SUPERSTAR Rajinikanth to contest in the 2021 Tamil Nadu State Assembly elections. The article cites the lyrics Autokkaaran, autokkaaran, naalum therijna rootukkaaran (I am an auto-driver who knows all the ways) from the introductory song from his blockbuster film “Baasha” (1995).

Related Posts –

Who is Kaala dada?
Who is Rajinikanth Dada?
Abhimanyu Sir
Thalaivaa!!
Yar Nee Ayah?
Kaala Karikaalan
A Post-Traditional Polity?
Rajinikanth Glows Saffron
Gaikwad cries Jai Bhim

The above image from the series was shot in Nishi-kasai , Tokyo as a part of the Momotaro San series of the Koboi Project. This work encapsulates a performance which was hosted at the Courtyard Hiroo Gallery, Tokyo on 11th May 2018 as part of ‘Home’ in the Expanded Field.’ It explores an intersection of Indian and Japanese symbols through interactions with the visionary film critic and promoter Fumio Furuya (a.k.a Jun Edoki) and Hiroyoshi Takeda who is an artist, chef (Masalawala) and Rajinikanth fan of great renown. 

https://www.outlookindia.com/website/story/india-news-rajinikanth-names-his-party-makkal-sevai-katchi-auto-rickshaw-its-symbol/367281

https://koboibalikkampung.wixsite.com/momo

Home as Expanded Field

johntran-870x580Here is The Japan Times Listing for ‘Home in the Expanded Field’, Courtyard Hiroo, Tokyo, May 20018. This is a “group exhibition, with work by artists from Japan, Britain and Malaysia, ‘home’ is explored as an unstable or elusive concept. The connotations of security, belonging or familiarity, are taken to task by Hana Sakuma, John L Tran, Rie Iwatake & Jun’ya Kataoka, Freyja Dean, Richard Paul, Junko Otake and Niranjan Rajah, who reconsider what constitutes home either by drawing from their own experience of displacement, or making the home environment strange and extraordinary”. I am delighted to be a part of this show with John Tran, with whom I initially engaged in an exchange in the Japan Times. I wrote a ‘clarification‘ on his insightful article on the Singapore Biennale 2016. Thanks John for making this possible!

Image: Our Once Beautiful Features’ by John L. Tran
https://www.japantimes.co.jp/events/2018/04/24/art-guide/mixed-media-art-guide/home-expanded-field/#.Wt-VhsgvyUn

https://www.japantimes.co.jp/opinion/2017/02/10/reader-mail/clarification-singapore-biennale/#.Wt-gU8gvyUk

https://www.japantimes.co.jp/culture/2017/01/28/arts/singapore-biennale-takes-good-hard-look-mirror/#.Wt-gnMgvyUk