It seems that when Madurai Veeran is depicted without his consorts, he is identified as “Veeranar”. He is always depicted with a sword and most often it is an aruval. This is Rajinikanth’s weapon of choice in Annaatthe in which he wields the aruval throughout. According to Karthikeyan Damodaran and Hugo Gorringe, this weapon has been identified as a signifier of caste (Thevar) pride in recent Tamil cinema and there is a genre known as theMadurai Formula film or the 3M film where the Ms are murder, mayhem and madurai. While Annaatthe does not quite fit with this genre, the prominence of the aruval in Annaatthe, and its symbolism, intended or otherwise, can not be ignored.
The Annaatthe official trailer is out and it is clear that the avenging aspect of Rajinikanth’s persona is modeled on the fierce Grama Deivam or village deity of non-Brahmanical rural Dravidian theism. In the trailer, as the Superstar threateningly vows to sacrifice his foe to his deity, he is shown in prayer before an icon of Madurai Veera Saamy. Madurai Veeran or Hero of Madurai is said to have been a warrior of low caste who was appointed to high military office in the Pandian empire and then and executed by dismemberment on the order the King in an honour killing for transgressing caste boundaries in his lovemaking. Following this, both Madurai Veeran’s faithful wife and his high caste lover committed suicide. To pacify the spirits of Madurai Veeran and his consorts, the King deified him in a shrine built on the grounds of the great Meenakshi Amman temple.