Hantu Tinggi

The Koboi performances involve integrating themes that arise from the location of the event with the abiding themes of the Koboi Project – 1) the persona of the black hat cowboy, 2) the giant SUPERSTAR banner , and 3) the ritual offering. The SUPERSTAR banner brings a sense of scale, both immediate physical size and the more expansive sense of mass media projection. The first SUPERSTAR banner carried a representation of inimitable Kollywood giant Rajinikanth. It was initially raised at the Burning Man Festival 2017, and later presented in Tokyo 2018, Bangkok 2018, and Lisbon 2018 & 2019. For the Dari Pusat Tasek performance at Percha Artspace, Lumut, Perak in December 2019, the image of Rajinikanth was replaced by that of Malaysian political colossus, Anwar Ibrahim. This Anwar Banner was raised again at Kapallorek Artspace, Bandar Seri Iskandar, Perak in August 2023.

Bandar Seri Iskandar is a new university town, a recent development in an older area known as Bota. ‘Bota‘ derives from the Sanskrit bhūta (demon) and refers to a local ‘giant’. According to folklore, once upon a time, giants inhabited this area and the old place names of the surrounding areas – Bota Kanan, Bota Kiri and Ekor Bota, stem from layering the image of a fallen giant over a landscape shaped by the Perak river. If one were to understand this physical territory in terms of the ontology of the traditional Malay cosmos, one might see it as being contiguous with the area known as Padang Jauh dan Puncak Gunung.

With both SUPERSTARS and Botas in mind, a propitiation was made, at the start of the Pokok Pauh Janggi performance (see notes) to all the Hantu Tinggi. Struggling against the wind that arose at this time, I lit a red candle at the near the massive Gergasi Bota mural on the Kapallorek building, while calling out,
.
Aku minta’ ampun kapada sagala Hantu Tinggi!
I ask forgiveness of all Tall Ghosts (Giants)!

At this very moment, the SUPERSTAR banner, that had been previously raised, collapsed in a sudden gust of wind, as if to indicate the Hantu Tinggi did not quite approve! Having raised the banner again, and having secured it properly this time, I placed the lighted candle at its foot.

https://sangpengembaraalamkehidupan.blogspot.com/2017/03/lagenda-gergasi-bota-sebuah.html

SUPERSTARS!! 3

And there you have it! SUPERSTAR meets SUPERSTAR!

https://www.thevibes.com/articles/news/98680/when-heroes-meet-anwar-welcomes-rajinikanth-in-putrajaya

SUPERSTARS!!

My two SUPERSTARS come together! What can I say!!!

Image: https://www.freemalaysiatoday.com/category/nation/2023/09/11/indias-film-superstar-rajinikanth-calls-on-anwar/

Not A Tamil Tradition 2

There are reports circulating that Rajinikanth will become the BJP Governor of Telangana. These may just be rumors but they do conform to the logic of his recent gesture of prostrating before BJP Chief Minister of Uttar Pradesh Yogi Adityanath. Looks like our SUPERSTAR might get his saffron make-over after all!

https://govtschemesinfo.in/telanganasuperstar-rajinikanth-as-the-governor-of-telangana/

https://www.livemint.com/news/india/efforts-being-made-to-paint-me-with-saffron-won-t-get-trapped-rajinikanth-11573225013695.html

Not a Tamil Tradition!

Rajinikanth SUPERSTAR recently took flak on social media for falling at the feet of Yogi Adityanath, the Chief Minister of Uttar Pradesh, in complete contradiction to the SUPERSTAR’s cultivated Dravidian Hero persona. In his defense, the SUPERSTAR claimed that his act of supplication, which is in keeping with Hindu tradition, was a habitual reflex – to fall at the feet of renunciants and holy men. This would be in keeping with his long-established public persona as a devout Hindu but the complication is that the revered yogi is a stalwart of a virulent form of BJP/RSS Hindutva. One which seems to be unrestrained in demonizing and victimizing Muslims to further its political/ideological agenda. Rajinkanth’s supplication to such a figure is surely at odds with the inclusive spiritual politics he called for during his stint as an aspiring Tamil Nadu politician. While this public prostration of one man at the feet of another, may be in keeping with the Sanatana Dharma that the actor professes, as Dravidian firebrand politician Seeman puts it in the meme above, it is in complete contradiction to the self-respect and radical humanism of the Tamil Dravidian movement as well as to the persona that the SUPERSTAR presents to the masses.

Image: https://www.pathrum.in/2023/08/21/dont-fall-at-the-feet-of-those-with-power-and-money-rajinikanths-old-speech-goes-viral/

https://thewire.in/communalism/100-instances-of-hate-speech-religious-polarisation-hindutva-supremacy-in-adityanaths-poll-speeches

https://indianexpress.com/article/explained/explained-history/sanatan-dharm-meaning-history-8924036/

https://thesouthfirst.com/pti/dravidian-movement-is-about-self-respect-social-justice-and-federalism-tn-finance-minister-reacts-to-governor-ravi/

About the Koboi Project

The Koboi Project is an expression of my search for an integral identity, across the gaps of an inter-generational diasporic experience, within the context of the contemporary crisis of globalization. The Koboi Project integrates its own abiding tropes – the ‘black hat cowboy and the ‘SUPERSTAR’ with the idioms, myths, and contemporary issues of each place of performance or presentation. An important aspect of the work is the circulation of its messages via a range of media, beginning with the megaphone and the banner as primordial transmitters of word and image. The Koboi Project is realized and disseminated by way of photographic prints, performances, installations, and online images/ social media. Among the imperatives of this autobiographical photo-performative project is the development of a deep engagement with place and people. This involves an immersion in the social history, popular culture, language, and religion of the places involved.

The most recent Koboi Project presentation is the Pokok Pauh Janggi exhibition at the Kapallorek Artspace, Bandar Seri Iskandar, Perak in Aug/Oct 2023.

The Boss is Back 16

After 12 days, Rajinikanth’s Annaatthe has grossed 2,250,000,000 Rupees (30,204,000.00 USD) 5 at the box-office. This despite the film receiving almost universally dreadful reviews. I myself, despite being an eager Superstar fan, found the film dreadfully loud, sentimental, violent and unconvincing. In spite of excellent parts, not least of which is Thalaivar’s reunion with Kushbu and Meena, it just does not pull together as a whole. The Times of India review gives the film 2/5 stars and is titled, “Even Rajinikanth cannot save badly written Annaaatthe.” Well it looks like they were completely wrong. The Superstar, it seems, has saved the film single-handedly!

What is it about Rajinikanth that enables him to draw the faithful even as a 70 year-old playing his signature super cool and superhumanly heroic character? Does the answer lie in his indubitably unique persona and ability to connect with the masses? Or does it lie in the Tamilian culture of adulation, veneration and deification of exemplars, and the ease with which Tamils nominate living culture heroes !

See also

Rajinikanth’s Political Entry
Thani Vazhi (தனி வழி)
Who is Kaala dada?
Who is Rajinikanth Dada?
Abhimanyu Sir
Thalaivaa!!
Yar Nee Ayah?
Kaala Karikaalan
A Post-Traditional Polity?
Rajinikanth Glows Saffron
Gaikwad cries Jai Bhim

Image: https://www.rfi.fr/en/business-and-tech/20211105-covid-hit-india-cinemas-bet-on-delayed-blockbusters-to-revive-crowds

https://www.msn.com/en-in/entertainment/southcinema/annaatthe-box-office-collection-day-12-rajinikanth-starrer-earns-rs-225-crore/ar-AAQKKXo

The Boss is Back 14

The screening of a new Rajinikanth film (there have been 168 to date) always brings to mind the Tamilian (Hindu) notion of divinity – that God is everywhere and in everything. This immanent deity has two significant implications. In deep metaphysical terms it means that knowing or experiencing the attendant reality requires a transcendence of the egoistic self and recognizing the unity of all consciousnesses in one consciousness. This unification or oneness of the divinity is, counterintuitive as it might seem, analogous to the Islamic notion of Tawhid. On more mundane egocentric level, however, this immanence means that Tamilians might choose to designate any one of the innumerable parts. of the ubiquitous divinity, as the bearer of the presence of the whole. While some might deem this to be idolatrous or, in Islamic terms, Shirik. for Tamils separate parts of the divinity, ranging from rocks and trees to consecrated icons, can each stand for the whole. It is this synecdochic ontology that allow Tamilians to turn, the adulation of public figures into a form of worship. While this deification of living people, ranging from gurus to politicians, is widespread it is the ritualistic offerings made to movie SUPERSTAR Rajinikanth at the opening of his films that epitomizes of this phenomena in contemporary Tamil culture.

Image: https://www.thehindubusinessline.com/news/variety/superstar-rajinikanth-starrer-annaatthe-releases/article37334723.ece

The Boss is Back 11

The tutelary deity featured in Rajinikanth’s upcoming film Annaatthe is the Grama Deivam (village guardian) Madurai Veeran. Throughout the trailer the Superstar wields the aruval, a south Indian billhook (a cross between a sickle and a machete), which is a weapon in the iconography of Madurai Veeran. According to Preethi Zachariah the aruval is used to clear fields, collect firewood, to crack coconuts, and also in the worship of other Kaval Deivam (tutelary deities) like Karuppu Swamy and Ayyanar.

As happyhindu notes, Madurai Veeran is worshipped in an agricultural context “to ward off disasters affecting crops, cattle, and illnesses.” He is the protector of agricultural people and their lands as, it seems, is Kalaiayyan, Rajinikanth’s avatar in Annaatthe, who rides “a Royal Enfield bike, wearing a helmet and earphones, an aruval dangling from the bike.”

See also

The Boss is Back 9
Rajinikanth’s Political Entry
Thani Vazhi (தனி வழி)
Who is Kaala dada?
Who is Rajinikanth Dada?
Abhimanyu Sir
Thalaivaa!!
Yar Nee Ayah?
Kaala Karikaalan
A Post-Traditional Polity?
Rajinikanth Glows Saffron
Gaikwad cries Jai Bhim

Image: https://www.youtube.com/watch?v=zyVX8g71TGo&ab_channel=SunTV
https://lifestyle.livemint.com/news/big-story/is-the-thiruppachethi-aruval-a-tool-or-a-weapon-111633679832798.html
https://www.tamilbrahmins.com/members/happyhindu.3407/